本文關(guān)鍵詞：從中西方繪畫中解讀繪畫的抽象性和表現(xiàn)性，由筆耕文化傳播整理發(fā)布。

1.

Language Comparison of Brushwork in ZHAO Wu-ji and Kandinsky s Abstract Canvases;

趙無極與康丁斯基抽象油畫作品筆觸語言比較

2.

Knowing White and Guarding Black --On the position of "Black and White" in Chinese modern abstract oil painting by studying Zhao Wu-ji's painting colour

知白守黑——由趙無極繪畫色彩看“黑白”在中國現(xiàn)代抽象油畫中的地位

3.

an abstract painting, painter

抽象畫、 抽象派畫家.

4.

This kind of painting is termed"abstract".

這種畫被稱做"抽象派"畫。

5.

The Abstraction of the Concrete Drawing And the Concretion of Abstract Drawing;

具象繪畫的抽象性與抽象繪畫的具象性

6.

aBstract painting and sculpture.

抽象派的繪畫和雕塑

7.

apotropaic imagery

用以辟邪的抽象繪畫

8.

The Pome-like Mood in the Chinese Oil Painting--Opinions on the Image Oil Painting

中國油畫的詩畫意境——意象油畫之我見

9.

Tradition of Nonobjectivism and Traditional Nonobjectivism--on the Nonobjectivism of Chinese Ancient Lacquer Painting;

抽象的傳統(tǒng)與傳統(tǒng)的抽象——論中國古代漆畫的抽象特性

10.

The Use of Abstract Factors in Representational Painting;

具象繪畫中的抽象因素及其審美意義

11.

It's impossible to is impress by abstract painting when the artist can not even draw well.

沒有素描能力的畫家所畫的抽象畫無法給人深刻印象。

12.

Will it be an abstract pattern, or will it be a picture of things, a scene or people?

它將是一幅抽象畫，還是靜物畫、風(fēng)景畫或者人物畫呢？

13.

Explaining the Painting s Abstract and Expression from the Chinese and the Western Paintings;

從中西方繪畫中解讀繪畫的抽象性和表現(xiàn)性

14.

Western abstract art and artistic thoughts in traditional Chinese paintings by scholars and officials;

西方冷抽象繪畫與中國文人畫美學(xué)思想

15.

On Abstract Expressionistic Painting and the Reflection of Spirit of the Times;

論抽象表現(xiàn)主義繪畫折射的時代精神

16.

Concretion and Abstracticn On the maltiplicity of lines in the art of painting;

具象與抽象——論線在繪畫藝術(shù)中的多重性

17.

On the urgency of quality education in the persective of the discoordination of people s two visual native abilities;

從“具象”“抽象”繪畫談視覺心理與素質(zhì)教育

18.

The Idea Has the Elephant and Abstract Painting Works to Express the Comparison of the Characteristic Research in the Spirit;

意象 具象和抽象繪畫作品中精神性表達(dá)特征的比較研究

  本文關(guān)鍵詞：從中西方繪畫中解讀繪畫的抽象性和表現(xiàn)性，由筆耕文化傳播整理發(fā)布。