本文選題：安塞爾姆·基弗 + 獨特�。� 參考：《山東建筑大學》2017年碩士論文

【摘要】：本論文以安塞爾姆·基弗藝術話語譜系中特有的標志性符號為研究對象,探究其藝術中材料符號的象征意義。安塞爾姆·基弗以獨特的思維方式和低調的行事風格,使其成為當今德國新表現(xiàn)主義的領軍人物,尤其在中國被認為是當今全世界范圍內最偉大的當代藝術家之一。在對德國歷史的審視過程中,基弗像是一個讀者、觀者、思考者、和認真的探索者一樣,基于那段黑暗的歷史,其作品中總是以粗獷的冷色和充滿悲傷的元素組織畫面。他的藝術作品大多是著眼于德國曾經的那段傷痛歷史,從這一歷史角度出發(fā),對那段歷史的批判,用一種贖罪的特殊藝術形式跟思維方式喚起整個人類的回憶和反思。正是因為基弗的這種藝術表現(xiàn)形式被世人稱為“德國罪行的考古學家”�；θ祟愂澜缑\和精神的思考,在當今后現(xiàn)代主義盛行的大環(huán)境下顯得彌足珍貴。本論文在東西方已有的研究成果基礎上,通過行之有效的方法加以論證跟綜述。本文不僅僅是用縱向的方法介紹安塞爾姆·基弗的藝術生涯,而是將他的藝術創(chuàng)作放在不同的歷史背景下進行探討和引申,以多維的視角剖析基弗藝術中材料符號所象征的意義。整篇論文主要分為三個部分依次對基弗符號進行探討;第一部分,闡述基弗所處的歷史時代背景,基弗的知識文化構成對其自身藝術形成的影響及作用,以及處在獨特歷史背景下形成的其藝術的獨特性。為探討基弗話語譜系中符號的獨特象征意義打下鋪墊。第二部分,梳理基弗繪畫中“材料”的表現(xiàn)性及其獨特性。第三部分,是本篇論文的重要部分,主要是探究解讀了基弗在其藝術創(chuàng)作過程中,將不同的歷史文化、不同的藝術符號與圖像本來的原型加以融和和變異,再加上基弗本人的獨特思想。側重于通過梳理基弗話語譜系特有的創(chuàng)作符號與歷史文化之間的關系,試圖尋找出基弗藝術話語譜系中符號的特殊象征意義。
[Abstract]:This thesis focuses on the iconic symbols in Anselm Keefer's artistic discourse pedigree to explore the symbolic significance of material symbols in his art. Anselm Keefer, with his unique way of thinking and low-key style of conduct, has become a leading figure in modern German neo-expressionism, especially in China, which is regarded as one of the greatest contemporary artists in the world. In his review of German history, Keefer is like a reader, viewer, thinker, and a serious explorer, based on that dark history, whose work is always organized with rugged coldness and sadness. Most of his works of art focus on the painful history of Germany. From this historical point of view, the criticism of that history, with a special art form of atonement and a way of thinking, evokes the memory and reflection of the whole human being. It was because of Kiefer's artistic expression that the world called it "the archaeologist of German crime." Keefer's thinking about the fate and spirit of the human world is very precious under the prevailing environment of postmodernism. This paper is based on the existing research results of the East and West, through effective methods to demonstrate and summarize. This paper not only introduces Anselm Keefer's art career in a vertical way, but also discusses and extends his artistic creation in different historical backgrounds. This paper analyzes the symbolic meaning of material symbols in Keefer's art from a multi-dimensional perspective. The whole paper is divided into three parts to discuss Keefer's symbol in turn. The first part expounds the historical background of Keefer, the influence and effect of Kiefer's knowledge and culture on his own art formation. And in the unique historical background of the formation of its unique art. It lays the groundwork for the discussion of the unique symbolic meaning of the symbols in Keefer's discourse pedigree. The second part combs the expressiveness and uniqueness of material in Keefer's painting. The third part, which is an important part of this paper, mainly explores and interprets Keefer's original archetypes of different historical culture, different artistic symbols and images in the process of his artistic creation. Coupled with Keefer's own unique ideas. By combing the relationship between the unique creation symbols and historical culture of Keefer's discourse genealogy, the author tries to find out the special symbolic significance of the symbols in Kiefer's artistic discourse genealogy.
【學位授予單位】：山東建筑大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205

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本文編號：2047043