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家庭題材的中國(guó)人物畫(huà)創(chuàng)作研究

發(fā)布時(shí)間:2018-06-21 02:42

  本文選題:家庭題材 + 表現(xiàn)狀態(tài); 參考:《湖南師范大學(xué)》2013年碩士論文


【摘要】:家庭題材繪畫(huà)是指?jìng)鹘y(tǒng)及現(xiàn)、當(dāng)代中國(guó)畫(huà)中以反映家庭狀態(tài)中的人物畫(huà)作品。雖然家庭題材的人物畫(huà)不會(huì)是任何一個(gè)時(shí)代的主旋律,引起大家的追捧,但每個(gè)時(shí)代都留下了大量的繪畫(huà)作品。這些作品不僅給我們帶來(lái)視覺(jué)美的享受,也溫暖、感動(dòng)我們一代又一代人的心靈。 我認(rèn)為,在傳統(tǒng)的家庭題材人物畫(huà)中,主要表現(xiàn)的是男尊女卑、夫貴妻賢、母慈子孝等傳統(tǒng)的倫理道德;而當(dāng)代的家庭題材人物畫(huà)中,常見(jiàn)的是描繪男女平等、夫妻比翼齊飛,敬老尊賢、子女對(duì)老人的精神贍養(yǎng)以及尊重個(gè)人生活的多樣性。我在人物畫(huà)創(chuàng)作的研究過(guò)程中,必須在傳統(tǒng)的基礎(chǔ)上開(kāi)拓創(chuàng)新,融入時(shí)代的元素,以多角度、多方位來(lái)抒發(fā)自己對(duì)生活、對(duì)親人的感受,才能創(chuàng)作出具有自己的個(gè)人風(fēng)格,有力度而感人至深的藝術(shù)作品。 本文關(guān)于家庭題材繪畫(huà)的研究,主要包含三個(gè)方面:一是通過(guò)解讀傳統(tǒng)中不同時(shí)期的代表作品,分析作品的題材內(nèi)容、表現(xiàn)狀態(tài)和當(dāng)代家庭題材在這些方面的共性與差異,從中總結(jié)家庭題材繪畫(huà)的藝術(shù)魅力成因。二是結(jié)合自己對(duì)家庭題材的創(chuàng)作過(guò)程中,從深入生活進(jìn)行寫(xiě)生、采風(fēng),選取自然生活狀態(tài)的小題材,到通過(guò)構(gòu)思、構(gòu)圖,用畫(huà)筆抒發(fā)我最真實(shí)的情感,一筆筆、一層層地精心描繪出作品。以理論和實(shí)踐相結(jié)合來(lái)貫穿家庭題材人物畫(huà)創(chuàng)作全過(guò)程。三是歸納和總結(jié)對(duì)當(dāng)代家庭題材的中國(guó)人物畫(huà)現(xiàn)狀及發(fā)展方向的思考。
[Abstract]:Family painting refers to traditional and present, contemporary Chinese painting to reflect the family state of figure painting works. Although the figure painting of family theme will not be the main melody of any era, it causes the pursuit of everyone, but every time has left a large number of paintings. These works not only bring us the enjoyment of visual beauty, but also warm our hearts from generation to generation. In my opinion, in the traditional family figure painting, the main manifestation is the traditional ethics and morality, such as the inferiority and superiority of the male and the superior, the superior wife and the virtuous wife, the filial piety of the mother and the son, etc. In the contemporary family figure painting, it is common to describe the equality of men and women, and the husband and wife fly together. Respect for the elderly, children for the elderly spiritual support and respect for the diversity of personal life. In the research process of figure painting creation, I must explore and innovate on the basis of tradition, integrate the elements of the times, and express my own feelings about life and relatives from many angles and in many directions, so that I can create my own personal style. A powerful and moving work of art. The study of family painting in this paper mainly includes three aspects: first, by interpreting the representative works of different periods in the tradition, analyzing the content of the subject matter, the state of expression and the commonness and difference of the contemporary family theme in these aspects. Sum up the causes of artistic charm of family painting. The second is to combine their own creative process of family themes, from deep life sketching, collecting wind, selecting small subjects of natural life state, to expressing my most real feelings with a brush through conception, composition, and use of a painting brush, a pen, a brush, and a brush. Carefully depict the work layer by layer. The combination of theory and practice runs through the whole process of family subject figure painting creation. The third is to summarize and summarize the current situation and development direction of Chinese figure painting on contemporary family theme.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 魏東;;中國(guó)工筆畫(huà)中的意象傳達(dá)[J];美術(shù)觀察;2009年10期

相關(guān)碩士學(xué)位論文 前1條

1 李娜;由周思聰?shù)睦L畫(huà)歷程看當(dāng)代水墨人物創(chuàng)作的演變[D];山東師范大學(xué);2006年

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