本文選題：現(xiàn)代重彩畫(huà) + 材料　； 參考：《華中師范大學(xué)》2013年碩士論文

【摘要】：當(dāng)代藝術(shù)理念、審美需求對(duì)中國(guó)畫(huà)不斷提出新的要求,繪畫(huà)材料的本體性越來(lái)越顯現(xiàn)出來(lái)。繪畫(huà)藝術(shù)的起承轉(zhuǎn)合與材料有著密不可分的關(guān)聯(lián),使得對(duì)繪畫(huà)材料的研究與拓展越來(lái)越受到我們的重視。中國(guó)重彩畫(huà)材料的包容性隨之越來(lái)越強(qiáng),這種包容性彰顯著中國(guó)畫(huà)發(fā)展的潛力和希望。立足當(dāng)代文化語(yǔ)境,重新復(fù)蘇的更具色彩沖擊力與材質(zhì)表現(xiàn)力的現(xiàn)代重彩畫(huà),充實(shí)了中國(guó)畫(huà)的語(yǔ)言表現(xiàn)形式,回應(yīng)了當(dāng)代審美需求。新的材料和技法在重彩畫(huà)中不斷更新使用,其重視色彩表現(xiàn)與材料的制作,獨(dú)特的材質(zhì)美感抓住現(xiàn)代人的眼球。現(xiàn)代重彩畫(huà)開(kāi)始了在當(dāng)下藝術(shù)環(huán)境的多元化探索。 現(xiàn)代重彩畫(huà)發(fā)展的主流和趨勢(shì)是具有時(shí)代特色兼具民族氣質(zhì)。當(dāng)代重彩畫(huà)家們積極致力于繪畫(huà)材料的探索及實(shí)驗(yàn),充分發(fā)掘材料的深度和廣度,以材料技法的創(chuàng)新帶動(dòng)藝術(shù)觀念和表現(xiàn)形式的更新。伴隨著彷徨、迷失和不斷的驚喜,重彩畫(huà)作品形式多樣、色彩渾厚強(qiáng)烈、材質(zhì)美感以及獨(dú)具風(fēng)格的表現(xiàn)技法越來(lái)越趨向成熟,呈現(xiàn)出獨(dú)特的藝術(shù)魅力�，F(xiàn)代重彩畫(huà)得益于傳統(tǒng)繪畫(huà)的積淀以及自身材質(zhì)特點(diǎn)和兼容性,在中國(guó)畫(huà)壇十分積極活躍。注重對(duì)傳統(tǒng)材料的再挖掘,同時(shí)集思廣益,多角度的借鑒東西方現(xiàn)代藝術(shù)觀念和材料技法,最大限度的發(fā)揮和體現(xiàn)材料對(duì)現(xiàn)代重彩畫(huà)的潛力。對(duì)重彩材料的拓展給現(xiàn)代中國(guó)繪畫(huà)表現(xiàn)提供了更多的可能性和新途徑,從而使中國(guó)繪畫(huà)更與時(shí)代脈搏相契合,也更好的反映出當(dāng)下時(shí)代風(fēng)貌以及社會(huì)生活,在世界藝術(shù)文化本土化的趨勢(shì)下形成獨(dú)具民族特色的現(xiàn)代藝術(shù)形式。
[Abstract]:The contemporary art concept, the aesthetic needs of Chinese painting constantly put forward new requirements, the noumenon of painting materials become more and more apparent. The integration of painting art is closely related to the material, making the research and expansion of the painting material more and more attention. The inclusiveness of the Chinese heavy color painting materials is becoming stronger and stronger. This kind of inclusiveness shows the potential and hope of the development of Chinese painting. Based on the contemporary cultural context, the modern heavy color painting with more color impact and material expressiveness enriches the language expression of Chinese painting and responds to the contemporary aesthetic needs. The new materials and techniques are constantly updated and used in heavy color painting, and they attach importance to the color table. Now, with the production of materials and the unique aesthetic feeling of materials, we have caught the eyes of modern people. Modern heavy colored painting has begun to explore the diversified environment of art at present.
The mainstream and trend of the development of modern heavy color painting has the characteristics of the times and national temperament. The contemporary heavy color painters are actively engaged in the exploration and experiment of the painting materials, fully excavate the depth and breadth of the material, and promote the renewal of the artistic conception and the form of expression with the innovation of the material techniques. The various forms of painting, the strong color, the aesthetic feeling of the material and the unique style of expression are becoming more and more mature, showing a unique artistic charm. The modern heavy color painting has benefited from the accumulation of traditional painting, the characteristics and compatibility of its own material, and it is very active in the Chinese painting world. We can draw lessons from the modern art concepts and material techniques of East and West, maximize the potential of the material to modern heavy color painting, and provide more possibilities and new ways for the expansion of the heavy color materials to the modern Chinese painting, thus making Chinese painting more consistent with the pulse of the times and better reflecting it. Under the trend of world art and culture localization, the modern style of art with unique national characteristics is formed under the trend of the world's art and culture.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J212

【共引文獻(xiàn)】

相關(guān)博士學(xué)位論文 前10條

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本文編號(hào)：2020374