發(fā)布時(shí)間：2018-06-15 03:16

  本文選題：戴士和 + 油畫(huà)語(yǔ)言�。� 參考：《山西大學(xué)》2013年碩士論文

【摘要】：寫(xiě)意油畫(huà)在近代發(fā)展較為迅速,它獨(dú)特的藝術(shù)風(fēng)格和創(chuàng)作手法是畫(huà)家學(xué)習(xí)研究的不竭動(dòng)力。戴士和正是其中最具代表性的畫(huà)家之一。他主動(dòng)的吸取中國(guó)傳統(tǒng)繪畫(huà)中的寫(xiě)意精神不斷豐富自己的畫(huà)面語(yǔ)言深度,在構(gòu)圖、造形、色彩的各個(gè)層面上都正在逐步形成他與眾不同的美學(xué)價(jià)值追求。他用西方油畫(huà)藝術(shù)的寫(xiě)生方法來(lái)表達(dá)中國(guó)傳統(tǒng)繪畫(huà)中的寫(xiě)意精神,把中國(guó)傳統(tǒng)繪畫(huà)中的筆墨元素融入油畫(huà)創(chuàng)作寫(xiě)生之中,這形成了他別具一格的創(chuàng)作風(fēng)格。他的創(chuàng)作成就對(duì)于中國(guó)油畫(huà)語(yǔ)言的民族化腳步的推動(dòng)是毋庸置疑的。而作為一名美術(shù)教育者,他編著的《寫(xiě)意油畫(huà)教學(xué)》是中央美術(shù)學(xué)院規(guī)劃教材,他的油畫(huà)理論也是被國(guó)家高校美術(shù)教育所認(rèn)可的。因此,研究戴士和油畫(huà)語(yǔ)言具有深遠(yuǎn)的意義。 本文首先論述了研究戴士和油畫(huà)語(yǔ)言的目的及意義；其次,研究戴士先生的創(chuàng)作風(fēng)格；再次,在研究戴士和油畫(huà)語(yǔ)言的規(guī)范性與個(gè)性的基礎(chǔ)上,分別從油畫(huà)語(yǔ)言的三個(gè)基本單元——構(gòu)圖、造形、色彩著手,分析戴士和油畫(huà)語(yǔ)言的特色,并對(duì)其相關(guān)代表作進(jìn)行分析。最后,從戴士和的油畫(huà)作品及其油畫(huà)語(yǔ)言表達(dá)尋找一種啟示,從而總結(jié)出戴士和油畫(huà)語(yǔ)言的特色對(duì)中國(guó)油畫(huà)語(yǔ)言民族化的推動(dòng)意義。
[Abstract]:The freehand painting has developed rapidly in modern times. Its unique artistic style and creative technique are the inexhaustible motive force of the study of the painter. Dai and is one of the most representative painters. He actively absorbs the spirit of painting in traditional Chinese painting to enrich his picture language depth, in the composition, shape, and color of the various layers. He has gradually formed his distinctive aesthetic pursuit of aesthetic value. He expressed the spirit of freehand painting in traditional Chinese painting by using the painting method of Western oil painting, and incorporated the ink elements of traditional Chinese painting into the painting of oil painting, which formed his unique style of creation. His creative achievements were for Chinese oil painting. The promotion of the footsteps of the nationalization of the language is beyond doubt. As an art educator, his "painting teaching" is a planning textbook of China Central Academy of Fine Arts. His oil painting theory is also recognized by the National University of art education. Therefore, the study of Dai and oil painting language has far-reaching significance.
This article first discusses the purpose and significance of studying the language of Dai and oil painting. Secondly, it studies the style of Mr. Dai's creation, and again, on the basis of studying the standardization and personality of Dai and oil painting language, the characteristics of the language of Dai and oil painting are analyzed from the three basic units of oil painting language: composition, shape and color. In the end, we find out a kind of inspiration from the paintings and oil painting language of Dai Shi, and then summarize the significance of the characteristics of Dai and oil painting language to the nationalization of Chinese oil painting language.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J213

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本文編號(hào)：2020356