本文選題：邊緣線 + 具象寫實(shí)��； 參考：《河北師范大學(xué)》2014年碩士論文

【摘要】：本文通過探討邊緣線的概念以及邊緣線在油畫人物作品中的重要性來解析當(dāng)代具象寫實(shí)油畫人物邊緣線，并且對其歷史背景進(jìn)行闡述，結(jié)合大師的作品進(jìn)行研究，以此來折射出具象寫實(shí)油畫人物作品所營造出來的藝術(shù)效果。 本文還根據(jù)探討具象寫實(shí)邊緣線的表現(xiàn)形式，，結(jié)合繪畫作品剖析理解，對邊緣線的表現(xiàn)形式進(jìn)行深入研究。通過大量的討論和分析，借用舉例和說明的方法來解說邊緣線與構(gòu)圖，背景，光影以及與色彩之間的關(guān)系等。最后結(jié)合自己平時的繪畫心得，結(jié)合了自己的油畫創(chuàng)作，得出結(jié)論：無論你選擇怎樣的繪畫方式，目的只有一個讓畫面效果呈現(xiàn)最佳狀態(tài)。
[Abstract]:Through the discussion of the concept of edge line and the importance of the edge line in the paintings of oil paintings, this paper analyzes the edge lines of contemporary representational realistic oil painting, and expounds its historical background and combines the works of the masters to reflect the artistic effect created by the figurative and realistic paintings of oil paintings.
In addition, according to the representation of the representational and realistic edge lines and the analysis and understanding of the paintings, this paper makes a thorough study of the forms of the edge lines. Through a large number of discussions and analyses, we use examples and instructions to explain the edge line and composition, the background, the light and shadow, and the relationship with the color. Painting experience, combined with his own oil painting, concluded that no matter what kind of painting you choose, there is only one goal to make the best picture.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陳占恒;;具象寫實(shí)油畫的歷史和現(xiàn)狀[J];美與時代;2007年09期

2 王春辰;;一個真實(shí)的里希特[J];天津美術(shù)學(xué)院學(xué)報;2008年03期

本文編號：2017517