本文選題：莫蘭迪 + 形式��； 參考：《湖南師范大學(xué)》2014年碩士論文

【摘要】：喬治·莫蘭迪(Giorgio Morandi,1890-1964)作為20世紀(jì)最有影響力的畫家之一,他以一種獨(dú)立的藝術(shù)形式屹立于美術(shù)史上,其藝術(shù)成就以及對(duì)藝術(shù)的態(tài)度為后人所敬仰。莫蘭迪的藝術(shù)成就主要表現(xiàn)在靜物、風(fēng)景、版畫方面。本文旨在研究分析莫蘭迪油畫靜物畫的形式和他本人對(duì)待藝術(shù)的態(tài)度,結(jié)合我個(gè)人的創(chuàng)作實(shí)踐過程,在具體的畫面中體現(xiàn)莫蘭迪對(duì)我風(fēng)景創(chuàng)作的影響。正文分三部分。第一部分對(duì)莫蘭迪靜物油畫作品的畫面結(jié)構(gòu)進(jìn)行分析并詳細(xì)論述他對(duì)畫面色彩的把控能力,而對(duì)畫面結(jié)構(gòu)的分析表現(xiàn)在題材的選取、畫面的布局、形體結(jié)構(gòu)的處理方面,對(duì)色彩的把控能力表現(xiàn)在主觀處理、色調(diào)色域的把握、色與色之間的協(xié)調(diào)關(guān)系等方面。第二部分較詳盡的論述莫蘭迪繪畫理念在我創(chuàng)作中的運(yùn)用,在這一部分莫蘭迪的畫面形式當(dāng)然不局限于這些,但我只選取我創(chuàng)作中主要借鑒的部分加以分析,主要有畫面的布局,色彩的主觀處理能力和色調(diào)色域的把握能力以及色與色之間的協(xié)調(diào)能力。第三部分通過對(duì)莫蘭迪藝術(shù)作品的研究上升到對(duì)其本人藝術(shù)態(tài)度的關(guān)注以及對(duì)我風(fēng)景創(chuàng)作產(chǎn)生的影響。
[Abstract]:As one of the most influential painters in the 20th century, George Morandian stands as an independent art form in the history of art. His artistic achievements and attitude towards art are admired by later generations. Morandi's artistic achievements are mainly reflected in still life, scenery and prints. The purpose of this paper is to study and analyze the form of Morandi's oil painting still life painting and his attitude towards art, and combine my personal creative practice process to reflect Morandi's influence on my landscape creation in the concrete picture. The text is divided into three parts. The first part analyzes the picture structure of Morandi's still life oil painting and discusses in detail his ability to handle the color of the picture, while the analysis of the picture structure is manifested in the selection of the subject matter, the layout of the picture, and the handling of the body structure. The ability of color control is reflected in subjective processing, color gamut control, and the harmonious relationship between color and color. The second part discusses in detail the application of Morandi's painting concept in my creation. In this part, Morandi's picture form is certainly not limited to these, but I only choose the main part of my creation to be used for reference to analyze. It mainly includes the layout of the picture, the subjective processing ability of color, the grasp of color gamut and the coordination between color and color. The third part, through the research of Morandi's works of art, rises to the concern of his own artistic attitude and the influence on my landscape creation.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 高翔;;莫蘭迪生平與性格[J];云南藝術(shù)學(xué)院學(xué)報(bào);2008年04期

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本文編號(hào)：2016942