邊景昭花鳥畫初探
發(fā)布時(shí)間:2018-06-12 10:39
本文選題:邊景昭 + 明代院體畫 ; 參考:《福建師范大學(xué)》2014年碩士論文
【摘要】:邊景昭,字文進(jìn),明代宮廷花鳥畫家其約生于元朝至正年間(1351-1356年間),卒于明朝宣德年間(1436年前)。福建延平府沙縣(今福建沙縣)人,祖籍隴西(今屬甘肅)人。明永樂年間(約1413年左右)入宮侍奉,最初在工部的文思院任職,后入直大內(nèi)謹(jǐn)身殿、文華殿、武英殿等殿閣,曾任武英殿待詔和錦衣衛(wèi)指揮之職。邊景昭的工筆花鳥畫以大尺幅全景式的花鳥畫構(gòu)圖為主,色彩雅致妍麗、墨色潤澤清雅,鳥禽造型生動(dòng)多變,極大發(fā)揮了花鳥畫以物寓志的特點(diǎn)。邊景昭的作品在工致華美中透出了淳樸自然的氣息,形成了一種平民化的貴族品位,故被世人評價(jià)為:“開創(chuàng)了明代院體花鳥畫新風(fēng)”,在明代花鳥畫史上具有承上啟下的作用。 本文研究內(nèi)容主要包括以下三個(gè)方面:一、理清和歸納邊景昭的師承特點(diǎn);二、研究邊景昭花鳥畫的藝術(shù)風(fēng)貌;三、探討邊景昭花鳥畫的影響和傳承。
[Abstract]:Bian Jingzhao, Wen Jin, Ming court flower and bird painter born in the Yuan Dynasty to the period of 1351-1356, died in the Ming Dynasty Xuande years (1436 years ago). Yanping Fusha County (now Fujian Shaxian) people, ancestral Longxi (now Gansu) people. Ming Yongle years (about 1413) into the palace to serve, at first in the Ministry of Industry of the Institute of Culture and thought, and then into the Dainai Hall, Wenhua Hall, Wushu Hall and other palace pavilions, has served as the command of Wu Ying Dian and Jin Yi Wei. Bian Jingzhao's fine brush flower-and-bird painting is mainly composed of large scale panoramic flower-and-bird paintings, with elegant colors, clear and elegant ink colors, vivid and changeable birds and birds, and a great display of the characteristics of flower-and-bird paintings with objects and records. The works of Bian Jingzhao showed a simple and natural atmosphere in the beautiful works of Gong Zhi, and formed a kind of aristocratic taste of the common people, so they were evaluated by the world as: "initiated a new style of painting flowers and birds in the Ming Dynasty." In the history of flower and bird painting in Ming Dynasty, it has the function of connecting the above and the following. The research contents of this paper mainly include the following three aspects: first, to clear up and sum up the characteristics of Bian Jingzhao's inheritance; second, to study the artistic style and features of the flower and bird paintings of the flower and bird painting of the Ming Dynasty; third, This paper discusses the influence and inheritance of the flower and bird paintings in Border View Zhao.
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J209.2
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 畢崇旭;;明代畫家邊景昭身份略考[J];中國美術(shù);2011年06期
2 徐源;;中國花鳥畫造型特征與傳統(tǒng)的人文思想[J];大眾文藝;2013年02期
3 劉清慧;談花鳥畫構(gòu)圖的法則[J];承德民族師專學(xué)報(bào);1993年S1期
4 聶崇正;明代宮廷中何以浙閩籍畫家居多[J];美術(shù)觀察;1997年04期
5 李明;;邊景昭、王紱《竹鶴雙清圖》受畫人“誠齋”小考[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版);2009年04期
6 尤捷;;淺析明代宮廷畫家邊景昭花鳥畫作品的藝術(shù)特色[J];劇影月報(bào);2008年06期
7 張楠;;春花三喜圖[J];老年教育(書畫藝術(shù));2008年11期
8 李雪松;;論邊景昭的花鳥畫藝術(shù)[J];美術(shù)向?qū)?2011年02期
9 王永林;;邊景昭《春禽花木圖》[J];收藏;2011年05期
10 張東華;;淺談中國花鳥畫的寄情和寓意[J];中國花鳥畫;2006年05期
,本文編號:2009385
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2009385.html