本文選題：環(huán)境 + 文化背景��； 參考：《延邊大學》2017年碩士論文

【摘要】：木刻歷史極其悠久,我國自唐朝就已經出現(xiàn)了成型的木刻作品,經過發(fā)展與變革,及至宋代,書籍插圖的印刷工藝就已經非常嫻熟,明清間,民間木刻年畫又異軍突起,但功能一直以復制為主。創(chuàng)作型版畫則起自20世紀30年代,經魯迅提倡,傳入國內。新興木刻自誕生之日,便是中國革命文藝的一個重要組成部分,并且取得了巨大發(fā)展與重要成績。論文以創(chuàng)作畢業(yè)作品《適者生存》木刻系列的思維方式與制作過程為主要內容,解答我的作品的表現(xiàn)意義,通過怎樣發(fā)掘錘煉出自己獨有的刀筆痕跡,對于材料有什么創(chuàng)新式的使用方法,來表述我三年研究生學習的研究成果。為方便研究,本文分為三個章節(jié)來進行描述即緒論、創(chuàng)作過程、與結論。第一章緒論部分主要闡述了我的論文課題背景、研究目的及研究內容。通過借鑒對比初民社會中人對自然敬畏共生的態(tài)度,用作品記錄和表達我對生活的審視,對人和環(huán)境之間關聯(lián)的思考。我使用仙人掌做為表現(xiàn)的主要內容,是一種擬人的借喻手法,一方面,這種植物喜光,頑強,多刺的特性正是我們身邊惡劣環(huán)境中艱苦求生的現(xiàn)代人的映射,一方面,這種萬物有靈的思維方式將人與自然主觀的聯(lián)系起來,合而為一。第二章主要描述了我把生活中的點滴體會,經過梳理形成畫面的演變過程。在技法表現(xiàn)中我借鑒表現(xiàn)主義大師們的作品,整理出自己的形象。在具體操作上歸納并且總結了黑白木刻創(chuàng)作中的幾種造型規(guī)律,制作過程中,我在熟練操作已有工序的基礎上,對材料工具有創(chuàng)新性的使用與發(fā)現(xiàn)。最后一章是整篇論文的結論,是我對三年研究生學習生活的感悟與作品創(chuàng)作過程中的收獲�！哆m者生存》這一木刻系列創(chuàng)作是我近三年學習與生活經歷的一次歸納,雖然有些東西尚且幼稚,但這些都是成長過程中無法回避的,我希望作品能夠給欣賞者帶來自身的感悟與思考,也希望能夠通過這論文,記錄下我自身經驗與技巧逐步成長的過程,對自己今后的創(chuàng)作帶來更多的靈感與回味,同時將木刻知識介紹給更多的人,對同樣想要玩味木刻表現(xiàn)的藝術家能夠有所啟發(fā)和幫助。
[Abstract]:Wood carvings have a very long history, China has appeared since the Tang Dynasty, through the development and reform, until the Song Dynasty, the printing process of book illustrations has been very skilled, between the Ming and Qing dynasties, folk woodcut New year paintings also suddenly emerged. But the main function has been to copy. Creative prints from the 20 th century, 30 s, Lu Xun advocated, introduced into China. Since the birth of new wood carving, it is an important part of Chinese revolutionary literature and art, and has made great development and important achievements. The main content of this thesis is the way of thinking and the process of making wood engraving series, and explains the expressive significance of my work, and how to find out how to hammer out its own unique trace of knife and pen. What innovative methods are available to describe the results of my three-year graduate study. To facilitate the study, this paper is divided into three chapters to describe the introduction, creative process, and conclusions. The first chapter introduces the background, purpose and content of my thesis. By comparing the attitude of human beings in primitive society towards nature reverence and symbiosis, I record and express my thoughts on the relationship between human beings and environment by recording and expressing my views on life. I use cactus as the main content of expression, is a personification of metaphor, on the one hand, this kind of plants like light, tenacious, thorny characteristics is the mapping of modern people who are struggling to survive in the harsh environment around us, on the other hand, This animistic way of thinking connects man and nature subjectively and becomes one. The second chapter mainly describes the evolution of my life. In the performance of techniques, I draw lessons from the works of the Expressionist masters, collate their own image. In the concrete operation summarized and summarized in the black and white woodcut creation several kinds of modelling law, in the production process, in the skilled operation already working procedure foundation, has the innovation use and the discovery to the material tool. The last chapter is the conclusion of the whole thesis, which is my understanding of the life of graduate students for three years and the harvest in the process of creation of works. The creation of this woodcut series is a summary of my study and life experience in the past three years. Although some things are still childish, but these are the process of growth can not be avoided, I hope that the work can bring their own appreciation and thinking, but also hope to be able to pass this paper, Record my own experience and skills to gradually grow, to their future creation to bring more inspiration and aftertaste, while the woodcut knowledge to introduce to more people, It can inspire and help artists who also want to play with woodcut performance.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J217

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相關期刊論文 前2條

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本文編號：2006783