淺談女畫家在藝術創(chuàng)作中的情感表達
發(fā)布時間:2018-06-11 20:49
本文選題:女性意識 + 女性畫家; 參考:《西北民族大學》2013年碩士論文
【摘要】:“何為“女性繪畫”?一般的概念是從性別來甄別,認為:凡出自女性之手的繪畫作品,均為女性繪畫!雹龠@是引用陶詠白對女性繪畫的定義。然而在繪畫歷史發(fā)展的長河中,曾經女性繪畫卻是一段被埋沒的歷史。女性畫家的作品受不到賞識,只能作為男性藝術的陪襯或自我消遣的一種方式,因此她們在藝術上的成就也就更多的被男性藝術家的光輝所掩蓋。 論文想通過對西方女權主義運動到婦女運動的認識與了解,提出在這一系列運動影響下,社會各界給予女性更多的關注,女性在社會中的地位逐漸攀升。女性意識覺醒,藝術方面在這一時期產生的女性主義藝術具有明顯的女性特征,并且在女性藝術家的不斷抗爭,社會各界的關注下,女性開始走向更大的舞臺。繪畫方面也涌現出大批杰出的女性畫家,她們有別于男性畫家的情感、生活體驗,更加細膩深入的將自己的情感融入藝術創(chuàng)作中,使得作品洋溢著一股強烈與獨特的女性風采,用她們藝術的角度闡述了自身對社會對生活的看法。 文章將從西方女權運動到女性意識覺醒作為文章出發(fā)點,通過形象、題材、畫面語言等分析女性繪畫的藝術特色。結合背景、文獻、畫家作品以及自身作為女性在繪畫創(chuàng)作中的一些感悟,深入探析女性畫家在繪畫中是如何表現內心的情感以及對我個人藝術創(chuàng)作的啟示。透過文章,希望女性畫家創(chuàng)作和理論方面取得的成就得到社會更多的重視,女性繪畫的發(fā)展前景可以更加明朗。
[Abstract]:"what is" female painting "? The general concept is to discriminate from gender, thinking that all paintings made by women are female paintings. "1 this is a reference to Tao Yongbai's definition of female painting. However, in the development of painting history, once female painting is a buried history. The works of female painters are unappreciated and can only be used as a foil to male art or as a way to amuse themselves. Therefore, their achievements in art are more concealed by the brilliance of male artists. The thesis wants to put forward the idea that under the influence of this series of movements, through the understanding and understanding of the Western feminist movement to the women's movement, Women from all walks of life pay more attention to women and their status in society is gradually rising. With the awakening of female consciousness, the feminist art produced in this period has obvious female characteristics, and under the constant struggle of female artists and the concern of all walks of life, women begin to move to a bigger stage. In painting, a large number of outstanding female painters have emerged. They are different from male painters in their emotions, their life experiences, and their more delicate and in-depth integration of their emotions into their artistic creation, which makes the works brimming with a strong and unique feminine demeanour. From the perspective of their art, this paper expounds their own views on life from the western feminist movement to the awakening of female consciousness as the starting point of the article, and analyzes the artistic characteristics of female painting through image, subject matter, picture language and so on. Combined with background, literature, painters' works and their own feelings in painting creation as women, this paper probes deeply into how female painters express their inner feelings in painting and their enlightenment to my personal artistic creation. Through the article, I hope that the achievements of female painters' creation and theory will be paid more attention to, and the development prospect of female painting will be clearer.
【學位授予單位】:西北民族大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J204
【參考文獻】
相關期刊論文 前10條
1 尹紅;中國女性繪畫與女性意識[J];東方藝術;2005年06期
2 王靜;;閆平:像藝術家一樣生活[J];東方藝術;2009年07期
3 張?zhí)鞁?;略論當下女性油畫的獨特視角及其價值[J];大眾文藝;2011年12期
4 黃亦君;李曉蘭;;《警鐘日報》與女權運動[J];黃河科技大學學報;2009年03期
5 李琳;;小議女性畫家、母性意識與母性題材[J];江西金融職工大學學報;2006年S1期
6 姚巍;;個性飛揚的瑪麗·卡薩特[J];美術大觀;2006年01期
7 于琳琳;;夏俊娜作品構圖特色探析[J];美術大觀;2011年05期
8 賈方舟;女性藝術在九十年代[J];美術觀察;1999年03期
9 曾佳;女性繪畫的歷史變遷——從失落的歷史到創(chuàng)造的歷史[J];南京藝術學院學報(美術與設計版);2004年04期
10 張希玲;論情感在文藝創(chuàng)作和欣賞中的重要作用[J];哈爾濱學院學報(教育);2001年04期
,本文編號:2006649
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2006649.html