本文選題：民國時期 + 審美取向��； 參考：《倫理學(xué)研究》2017年02期

【摘要】：民國時期的都市美人圖重塑了傳統(tǒng)美人的形象,由過去女性含蓄內(nèi)斂的形象流向于豐腴嫵媚與健康自信。它不只是都市風(fēng)情的浮華倩影,同時也浸染著民眾享樂的性情欲望和道德觀念。都市美人圖的出現(xiàn),形成了與之相關(guān)的價值取向的爭論。由于它處于中西文化碰撞的特殊時期,其作為物質(zhì)文化與精神文化的載體,不可避免地成為隱性消費的對象,并具有商業(yè)性和藝術(shù)性的雙重審美取向,而如何從中協(xié)調(diào)共存,如何在雅俗共賞之時重新闡述都市美人圖中理與欲的辯證關(guān)系,乃是本文探究的主題。
[Abstract]:During the period of the Republic of China, the urban beauty map reshaped the image of traditional beauty, from the implicit image of women in the past to plump charm and healthy self-confidence. It is not only a flashy figure of urban amorous feelings, but also imbued with people's desire for pleasure and morality. The appearance of urban beauty map has formed the argument of value orientation related to it. As a carrier of material culture and spiritual culture, it inevitably becomes the object of recessive consumption and has the dual aesthetic orientation of commercial and artistic. How to restate the dialectical relationship between reason and desire in the drawing of urban beauty is the theme of this paper.
【作者單位】： 湖南師范大學(xué)美術(shù)學(xué)院;
【分類號】：J205;C913.68

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本文編號：2004280