本文選題：黑白裝飾畫 + 裝飾性��； 參考：《上海師范大學(xué)》2017年碩士論文

【摘要】：裝飾藝術(shù)的發(fā)展在歷史長河中經(jīng)歷了萬年之久,對藝術(shù)史的推進(jìn)起著至關(guān)重要的巨大作用。隨著時代的變遷和進(jìn)步,裝飾藝術(shù)憑借其獨特的藝術(shù)形式和造型語言,正以不可忽視的趨勢席卷和滲透到世界的各個角落,包括家居建筑、時尚設(shè)計、手工藝品,乃至純藝術(shù)。黑白裝飾畫作為裝飾藝術(shù)的一種,其歷史可以追溯到上古時期,而在注重視覺沖擊的今天,卻逐漸走向邊緣化。但黑白裝飾畫仍能憑其質(zhì)樸含蓄的黑白語言展現(xiàn)出色彩無法取代的厚重與深邃,成為生活和藝術(shù)不可分割的一部分。今日的黑白裝飾畫倘若想要走出一條多彩之路,必須要另辟蹊徑。追求單純的裝飾風(fēng)格與效果似乎已經(jīng)不能滿足人的審美需要。有著豐厚藝術(shù)內(nèi)涵和積淀的黑白裝飾畫,呈現(xiàn)出鮮明裝飾性與獨特繪畫性的統(tǒng)一。在繪畫創(chuàng)作中,對于形式上的裝飾性以及主體對于繪畫本質(zhì)的追求,是認(rèn)識黑白裝飾畫的關(guān)鍵,也就是說,把握裝飾性與繪畫性的統(tǒng)一是理解黑白裝飾畫藝術(shù)性的關(guān)鍵所在。本文旨在:借助裝飾性與繪畫性這兩種比較典型的表現(xiàn)形式,通過分析這兩者在黑白裝飾畫中的表現(xiàn)特征,來探討內(nèi)容與形式、現(xiàn)象與本質(zhì)、主體與客體之間的關(guān)系,進(jìn)一步探尋黑白裝飾畫的藝術(shù)性表現(xiàn)。再者,通過對裝飾性和繪畫性關(guān)系的認(rèn)識和分析,認(rèn)識到兩者的區(qū)別與聯(lián)系的辯證統(tǒng)一關(guān)系,把黑白裝飾畫與其他繪畫以及工藝裝飾區(qū)別開來,肯定了黑白裝飾畫獨特的藝術(shù)價值。本文除了重點闡述黑白裝飾中裝飾性和繪畫性因素的表現(xiàn),論述兩者的關(guān)系之外,亦通過對中國當(dāng)代藝術(shù)家冷冰川的墨刻畫作品的解讀,并結(jié)合自身的創(chuàng)作實踐,探索黑白裝飾畫中裝飾性與繪畫性的融合表現(xiàn)與運(yùn)用。在觀察和思考畫面中黑白、大小、實虛等對比要素中,同時融入自己對表現(xiàn)性黑白裝飾畫的理解,為其融入新鮮的藝術(shù)語言。經(jīng)過理論的學(xué)習(xí)和自我表達(dá)的探索,把握好裝飾性與繪畫性的關(guān)系,將兩者統(tǒng)一于繪畫主體主觀藝術(shù)性的表現(xiàn),統(tǒng)一于主體對客體的藝術(shù)再加工和改造,為黑白裝飾畫創(chuàng)作帶來獨特的藝術(shù)魅力,使黑白裝飾畫展現(xiàn)更具有豐富內(nèi)涵的新的審美價值。
[Abstract]:The development of decorative art has gone through thousands of years in the history, which plays a vital role in the advancement of art history. With the change and progress of the times, decorative art, with its unique artistic form and modeling language, is sweeping and permeating every corner of the world with the trend that can not be ignored, including home building, fashion design, handicrafts, and even pure art. Black and white decorative painting as a decorative art, its history can be traced back to the ancient period, but in the focus on visual impact today, but gradually marginalized. But black and white decorative painting can still show the color can not be replaced by the thick and profound color with its simple and implicit black and white language, and become an integral part of life and art. If today's black and white decorative paintings want to walk a colorful road, we must find another way. The pursuit of simple decorative style and effect seems to have failed to meet the aesthetic needs of people. With rich artistic connotation and accumulation of black and white decorative paintings, showing a distinct decorative and unique painting unity. In painting creation, it is the key to understand black and white decorative painting that is to say, to grasp the unity of decoration and painting is the key to understand the artistic nature of black and white decorative painting. The purpose of this paper is to discuss the relationship between content and form, phenomenon and essence, subject and object by analyzing their performance characteristics in black and white decorative painting with the help of decorative and painting. Further explore the artistic performance of black and white decorative painting. Furthermore, through the understanding and analysis of the relationship between decoration and painting, the dialectical unity of the difference and relation between the two is recognized, which distinguishes black and white decorative painting from other painting and craft decoration. Affirmed the unique artistic value of black and white decorative painting. In addition to focusing on the performance of decorative and painting factors in black and white decoration and the relationship between them, this paper also interprets the ink depiction works of the contemporary Chinese artist Leng Glacier, and combines with his own creative practice. Explore the combination and application of decoration and painting in black and white decorative painting. In observing and thinking about the contrast elements such as black and white, size, reality and so on in the picture, at the same time, the author integrates his own understanding of the expressive black and white decorative painting, so as to melt into the fresh artistic language. Through the study of theory and the exploration of self-expression, the relationship between decoration and painting is grasped, the two are unified in the subjective artistic expression of the painting subject, and in the art reprocessing and transformation of the subject to the object. It brings unique artistic charm to the creation of black and white decorative paintings, and makes black and white decorative paintings show new aesthetic value with rich connotations.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205

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本文編號：2004179