本文選題：形式自律 + 抽象造型�。� 參考：《中國(guó)藝術(shù)研究院》2013年碩士論文

【摘要】：本文根據(jù)張立國(guó)1950年至今繪畫風(fēng)格的明顯轉(zhuǎn)變,將他的藝術(shù)實(shí)踐分為“早期、轉(zhuǎn)型期、成熟期”三個(gè)時(shí)期,從形態(tài)、成因、時(shí)代背景等角度詳細(xì)論述了每一時(shí)期的風(fēng)格特點(diǎn)。早期(1950—1978)繪畫風(fēng)格以蘇派寫實(shí)主義為出發(fā)點(diǎn),又具有現(xiàn)代派繪畫形式自律的傾向。轉(zhuǎn)型期(1979—1992)繪畫風(fēng)格完全向現(xiàn)代主義轉(zhuǎn)變,追求抽象表現(xiàn)主義造型語言、野獸主義抽象化色彩以及超現(xiàn)實(shí)主義的畫面氛圍。這一時(shí)期張立國(guó)創(chuàng)作出了他的成名作《天長(zhǎng)地久》,集中體現(xiàn)了他轉(zhuǎn)型期對(duì)繪畫風(fēng)格的探索。成熟期(1993至今)繪畫風(fēng)格多樣化,張立國(guó)嘗試了不同的材料和多樣的作畫方法,題材上有挖掘人性的“人影”、探索空間秘密的“三條線空間”以及表達(dá)傳統(tǒng)文人畫意趣的“山水”等,藝術(shù)實(shí)踐逐漸融人后現(xiàn)代語境之中。
[Abstract]:According to the obvious transformation of Zhang Liguo's painting style from 1950 to present, this article divides his artistic practice into three periods: early period, transition period and mature period. It discusses the style characteristics of each period in detail from the angle of form, cause of formation, background of the times and so on. The painting style of early 1950-1978 took the realism of the Soviet school as the starting point, and had the tendency of the self-discipline of the painting form of the modern school. In the period of transformation from 1979 to 1992, the style of painting has completely changed to modernism, pursuing abstract expressionist modeling language, the abstract color of the wild animal doctrine and the surrealist picture atmosphere. In this period, Zhang Liguo created his famous work, Forever and Forever, which embodies his exploration of painting style in the transition period. From 1993 to present, Zhang Liguo tried different materials and various painting methods. Exploring the "three lines of space" and expressing the interest of traditional literati painting, artistic practice gradually melts into the post-modern context.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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