本文選題：中國寫意人物造型 + 自身發(fā)展規(guī)律��； 參考：《福建師范大學(xué)》2013年碩士論文

【摘要】：中國寫意人物造型藝術(shù)源遠(yuǎn)流長,形成了相對穩(wěn)定且獨(dú)具東方藝術(shù)特色的造型觀念、造型手段、表現(xiàn)形式等,與西方藝術(shù)有著迥然不同的藝術(shù)風(fēng)貌。20世紀(jì)開始,中國寫意人物造型的發(fā)展面臨著非常復(fù)雜的局面。首先,中國寫意人物造型藝術(shù)在其自身發(fā)展規(guī)律的作用下,必然要面對其造型程式化傾向所帶來的局限。其次,西方藝術(shù)伴隨著西方略強(qiáng)的入侵,涌入中國。在浩浩蕩蕩的時代主流思潮的沖擊下,中國人物畫家紛紛展開如何借鑒西方藝術(shù),改良中國寫意造型藝術(shù)的探索。先輩們?nèi)诤现形鞯乃囆g(shù)實踐,使新時代的寫意人物造型產(chǎn)生了某種帶有脫胎換骨性質(zhì)的變化,開始向現(xiàn)代化轉(zhuǎn)型。最后,20世紀(jì)復(fù)雜多變的政治局勢,也為寫意人物造型的發(fā)展增加了撲朔迷離的色彩。本文以中國寫意人物造型為切入點(diǎn),以其自身的發(fā)展規(guī)律和不同時代的社會文化語境為結(jié)合點(diǎn),闡釋了中國寫意人物造型在內(nèi)外因的共同作用下所產(chǎn)生的一些演變。當(dāng)代寫意人物造型的創(chuàng)新,應(yīng)該在秉持“意象造型”這一傳統(tǒng)精髓與中國繪畫基本造型語言的基礎(chǔ)上,結(jié)合時代精神、適當(dāng)借鑒融合其他藝術(shù)為其造型程式化的傾向注入新鮮的血液。同時,關(guān)注創(chuàng)作主體自身情感的表達(dá)及藝術(shù)個性化的追求。
[Abstract]:Chinese freehand brushwork plastic arts have a long history, forming a relatively stable and unique oriental artistic characteristics of the modeling concept, modeling means, forms of expression, and so on, and Western art has a very different artistic style from the beginning of the 20th century. The development of Chinese freehand brushwork is facing a very complicated situation. First of all, the Chinese freehand brushwork plastic arts must face the limitations of its stylized style under the action of its own development law. Secondly, Western art, accompanied by the invasion of the West, poured into China. Under the impact of the prevailing trend of thought, Chinese figure painters began to explore how to use western art for reference and improve the art of freehand brushwork in China. With the combination of Chinese and Western artistic practice, the early generation of freehand brushwork in the new era produced some changes with the nature of transformation, and began to transform to modernization. Finally, the complicated and changeable political situation in the 20th century also adds a complicated color to the development of freehand brushwork. This article takes the Chinese freehand brushwork character modelling as the breakthrough point, with its own development rule and the different times social culture context as the combination point, explained the Chinese freehand brushwork character modelling under the internal and external causes common action some evolution. The innovation of contemporary freehand brushwork modeling should be based on the traditional essence of "image modeling" and the basic modeling language of Chinese painting, combined with the spirit of the times. Appropriate reference to the integration of other arts for its stylized tendency to inject fresh blood. At the same time, it pays attention to the expression of creative subject's own emotion and the pursuit of artistic individuation.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

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本文編號：2003373