本文選題：方君璧 + 中西融合　； 參考：《廣州大學(xué)》2017年碩士論文

【摘要】：西方油畫藝術(shù)自20世紀(jì)大規(guī)模引進(jìn)以來,已經(jīng)有了一百年的歷史。而在這次“西學(xué)東漸”中,方君璧也是第一批留學(xué)歐洲的女性油畫家。同時,方君璧也是第一位考入國立法國巴黎高等美術(shù)學(xué)校的中國女學(xué)生,第一位參加巴黎春季沙龍的中國女畫家。方君璧在中西畫融合方面為中國油畫做出了一份貢獻(xiàn),作為最早一批中西畫融合的實(shí)踐者,為后代藝術(shù)家的研究和創(chuàng)作提供了可借鑒的范例。這篇文章采用社會學(xué)、美學(xué)等多維視角研究和對作品對應(yīng)分析梳理,論證方君璧中西融合藝術(shù)觀的形成過程和實(shí)踐意義。首先是對方君璧油畫創(chuàng)作時代背景的研究——民國初期的留學(xué)熱潮,新文化運(yùn)動熱潮和到歐洲游學(xué)時代為背景展開論述。其次,對方君璧藝術(shù)觀的形成及變化進(jìn)行剖析,從初步受歐洲寫實(shí)思想和蔡元培的國學(xué)思想影響,到回國受“嶺南畫派”和“藝風(fēng)社”的影響,促使方君璧這種中西畫融合藝術(shù)觀的形成。最后,對方君璧的作品進(jìn)行分析,從繪畫風(fēng)格的轉(zhuǎn)變分為了三個階段,從初期傳統(tǒng)學(xué)院派風(fēng)格到受西方現(xiàn)代美術(shù)影響的轉(zhuǎn)變,再到回國后開始真正接觸中國畫,并探討中國畫與西方繪畫融合的畫風(fēng)轉(zhuǎn)變。方君璧在中國油畫史上為中西藝術(shù)融合做出了自己的一份小貢獻(xiàn)。文章最后總結(jié)了方君璧藝術(shù)觀對現(xiàn)代繪畫及女性藝術(shù)的影響,并指出中西融合藝術(shù)觀的確立不僅對方君璧本人的繪畫創(chuàng)作起到了牽引作用,而且對我國現(xiàn)代繪畫的創(chuàng)作和發(fā)展發(fā)揮了積極的作用。
[Abstract]:Western oil painting art has a history of 100 years since it was introduced on a large scale in the 20 th century. This time, Fang Junbi was the first female oil painter to study in Europe. At the same time, Fang Junbi is also the first Chinese female student admitted to the National higher School of Fine Arts in Paris, France, and the first Chinese female painter to attend the Paris Spring Salon. Fang Junbi made a contribution to the integration of Chinese and Western paintings. As the first batch of practitioners of the integration of Chinese and Western paintings, he provided an example for future generations of artists to study and create. This article uses sociology, aesthetics and other multi-dimensional perspectives to study and sort out the corresponding analysis of the works, and demonstrates the forming process and practical significance of Fang Junbi's integration of Chinese and Western views of art. The first is the background of the painting creation era-the upsurge of studying abroad in the early period of the Republic of China, the upsurge of the New Culture Movement and the era of traveling to Europe. Secondly, the formation and changes of the other side's monarch's art view were analyzed, from the influence of European realistic thought and Cai Yuanpei's thought of Chinese culture, to the influence of "Lingnan painting School" and "Art style Society" when returning to China. To promote the formation of Fang Junbi's art view of the combination of Chinese and Western paintings. Finally, the analysis of the works of the other gentleman divided into three stages from the change of painting style, from the early traditional academic style to the change influenced by western modern fine arts, and then to the real contact with Chinese painting after returning to China. And discusses the Chinese painting and the western painting fusion painting style transformation. Fang Junbi made his own contribution to the integration of Chinese and Western art in the history of Chinese oil painting. Finally, the article summarizes the influence of Fang Junbi's view of art on modern painting and female art, and points out that the establishment of the view of art integration between China and the West has not only played a leading role in the painting creation of the other monarch. Moreover, it has played an active role in the creation and development of Chinese modern painting.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213

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本文編號：2001558