本文選題：宋代 + 嬰戲圖�。� 參考：《景德鎮(zhèn)陶瓷學(xué)院》2014年碩士論文

【摘要】：宋代是我國(guó)歷史上經(jīng)濟(jì)、文化、藝術(shù)最為繁榮的時(shí)代之一，各民族之間的互相交融、接觸，促進(jìn)了經(jīng)濟(jì)、文化、藝術(shù)的不斷發(fā)展，也很大程度上接受了漢民族文化，并取得了出色的成就。在文化藝術(shù)方面，嬰戲題材繪畫作為我國(guó)傳統(tǒng)繪畫史上一個(gè)特殊的題材繪畫，，從古至今一直活躍在人物畫的范疇之中，并在陶瓷繪畫、書畫、版畫等不同領(lǐng)域都得到了表現(xiàn)。本課題通過(guò)對(duì)嬰戲題材的審美特征加以分析，從不同視角、不同專業(yè)層面研究宋代嬰戲題材紙質(zhì)畫與嬰戲題材陶瓷繪畫的比較，其中，為了研究問(wèn)題的便利性，在研究宋代嬰戲題材在陶瓷繪畫方面的運(yùn)用時(shí)，以代表宋代制瓷水平的典型窯口——磁州窯為例。通過(guò)對(duì)這兩者的比較研究，有助于進(jìn)一步了解嬰戲圖發(fā)展歷史、審美特征，從而提升對(duì)嬰戲題材的美學(xué)認(rèn)識(shí)。
[Abstract]:The Song Dynasty was one of the most prosperous times of economy, culture and art in the history of our country. The blending and contact among the various nationalities promoted the continuous development of economy, culture and art, and to a great extent accepted the Han nationality culture. And has made outstanding achievements. In the aspect of culture and art, as a special subject painting in the history of Chinese traditional painting, infant play painting has been active in the category of figure painting since ancient times, and has been shown in different fields such as ceramic painting, calligraphy and painting, printmaking and so on. By analyzing the aesthetic characteristics of infant drama, this paper studies the comparison between paper painting and ceramic painting in Song Dynasty from different perspectives and different professional levels, among which, in order to study the convenience of the problem, In the study of the use of infant drama in ceramic painting in Song Dynasty, the typical kiln mouth-Cizhou kiln, which represents the level of porcelain production in Song Dynasty, is taken as an example. Through the comparative study of the two, it is helpful to further understand the development history and aesthetic characteristics of infant play, thus to enhance the aesthetic understanding of the theme of baby play.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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本文編號(hào)：1985680