本文選題：工筆畫 + 轉(zhuǎn)型�。� 參考：《天津美術(shù)學(xué)院》2015年碩士論文

【摘要】：中國工筆繪畫經(jīng)過歷代畫家的追求與傳承,為中國藝術(shù)史的發(fā)展積累了豐厚的成果。自2 0世紀社會語境的變化以及東學(xué)西漸后寫實性繪畫的深入發(fā)展,中國傳統(tǒng)工筆畫也面臨著時代的選擇與面貌的變化。當(dāng)下,中國當(dāng)代工筆畫也已經(jīng)過幾代人的探索,呈現(xiàn)著具有代際的特征與風(fēng)格。工筆畫的發(fā)展也并非一味對于傳統(tǒng)臨摹復(fù)制,而是需要對傳統(tǒng)做出創(chuàng)造性的繼承。本文試圖從工筆畫的歷史演變與五四運動以來的新中國工筆畫面貌,以及近三十年工筆畫的新發(fā)展試論工筆畫的當(dāng)代探索,并結(jié)合自己的創(chuàng)作來談自己對于工筆繪畫的當(dāng)代轉(zhuǎn)換理解和關(guān)于創(chuàng)作實踐的思考。
[Abstract]:Chinese fine brushwork painting has accumulated rich achievements for the development of Chinese art history through the pursuit and inheritance of painters of all dynasties. Since the change of social context in the 20th century and the deep development of realistic painting after the development of East Learning and Western painting, Chinese traditional meticulous painting has also been faced with the choice of the times and the change of its appearance. At present, Chinese contemporary fine brushwork has been explored for several generations, showing intergenerational characteristics and style. The development of fine brushwork is not to copy the tradition, but to inherit it creatively. This paper attempts to discuss the contemporary exploration of fine brushwork from the historical evolution of fine brushwork and the appearance of New China's fine brushwork since the May 4th Movement, as well as the new development of meticulous brushwork in the last 30 years. Combined with their own creation to discuss their contemporary transformation of fine brush painting understanding and thinking about creative practice.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前1條

1 唐勇力;;工筆畫教學(xué)斷想[J];美術(shù)大觀;2000年02期

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本文編號：1985622