本文選題：龍清廉 + 人物畫�。� 參考：《新疆師范大學》2014年碩士論文

【摘要】：“藝術來源于生活，生活的主體是人民�！饼埱辶睦L畫藝術是為廣大人民群眾服務的。在他的畫面當中，沒有浪漫主義的激情，也沒有享樂主義的奢華，只有那些普普通通的老百姓。因此，龍清廉的畫老百姓能看懂，龍清廉的字，老百姓也能讀懂，因為這上面畫的、寫的都是老百姓的百態(tài)人生，表現(xiàn)出來的都是生活的酸甜苦辣。迫于對藝術的痛苦與責任，龍清廉年到古稀，仍然心燈不滅，孤獨堅守，用畫面?zhèn)鬟_著對農民生活的密切關注。 本文共分為五個部分對龍清廉的繪畫藝術進行論述。第一部分是文章的導言，包括選題緣由，研究現(xiàn)狀，研究方法，本文的創(chuàng)新與不足之處這四個部分；第二部分主要講述龍清廉在中央美術學院，，師從蔣兆和、葉淺予、李可染學習人物畫的經歷，以及貫穿中西的繪畫方法；第三部分主要講述龍清廉人物畫的藝術成就，并對其水墨人物畫造型規(guī)律進行總結；第四部分對龍清廉的水墨人物畫的藝術特色、全身像、群像、繪畫內外結構及詩文題跋做詳細的分析；第五部分講述龍清廉現(xiàn)代寫實水墨人物畫的貢獻與社會影響。 龍清廉是一位為人民服務的藝術家，幾十年默默耕耘，筆根不輟，對中國畫的發(fā)展研究做出了杰出的貢獻，為新疆中國畫格局奠定了基礎�，F(xiàn)將有關龍清廉的資料進行分類整理，做進一步的分析和研究，盡自己的微薄之力為后來者積累、提供參考資料；同時也學習和借鑒老一輩藝術家的繪畫方法和技巧，傳承他們在藝術領域孜孜不倦的創(chuàng)新精神和奉獻精神。
[Abstract]:"Art comes from life, and the main body of life is the people." Long clean painting art is for the general public service. There was no romantic passion, no hedonistic luxury, only ordinary people. Therefore, the ordinary people can understand long and clean, the people can read, because this above, write is the people's life, showing the ups and downs of life. Forced by the pain and responsibility of art, long clean years to the ancient rare, still heart lamp, lonely stick, using the picture to convey the close attention to the life of farmers. This paper is divided into five parts to discuss the painting art. The first part is the introduction of the article, including the reason of selecting the topic, the research status, the research method, the innovation and the deficiency of this paper. The second part is mainly about Longqian in the Central Academy of Fine Arts, under Jiang Zhaohe, Ye Qianyu, Li Keran studies the experience of figure painting and the painting methods running through China and the West. The third part mainly narrates the artistic achievement of long and clean figure painting and summarizes the modeling law of its ink figure painting. The fourth part makes a detailed analysis of the artistic characteristics, the whole body image, the group image, the inside and outside structure of the painting and the poem inscription and postscript; the fifth part narrates the contribution and the social influence of Longqian modern realistic ink figure painting. Long Qinglian is an artist who serves the people. He has worked in silence for decades and has made outstanding contributions to the development of Chinese painting and laid the foundation for the pattern of Xinjiang Chinese painting. We are now classifying and sorting out the relevant materials about long and clean, making further analysis and research, and doing our best to accumulate and provide reference materials for the latecomers. At the same time, we will also learn and learn from the painting methods and techniques of the older generation of artists. They inherit their tireless creative spirit and dedication in the field of art.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

【參考文獻】

相關期刊論文 前2條

1 李開榮;;湘西苗家農民之子阿龍[J];新疆藝術學院學報;2009年01期

2 龍清廉;;《和田一條街》創(chuàng)作簡述[J];新疆藝術學院學報;2011年04期

本文編號：1953557