本文選題：漆畫 + 藝術(shù)創(chuàng)作�。� 參考：《河北師范大學(xué)》2013年碩士論文

【摘要】：地處燕山腳下的承德，是全國(guó)第一批“重點(diǎn)文物保護(hù)單位”。有著悠久的歷史傳承、良好的人文氛圍、獨(dú)特的地理優(yōu)勢(shì)、豐富的自然資源、平穩(wěn)的經(jīng)濟(jì)增長(zhǎng)都為這里的文化建設(shè)打下了堅(jiān)實(shí)的基礎(chǔ)。但是在整體大環(huán)境的粉飾下，承德人也滋生了安逸和不思進(jìn)取的惰性思維，文化建設(shè)中的斷層現(xiàn)象和急功近利的毀建共存事例也時(shí)有發(fā)生。對(duì)歷史文化的承繼和對(duì)新興文化的學(xué)習(xí)借鑒都處于一種相對(duì)滯后的狀態(tài)。今天的承德，樓臺(tái)林立、豪宅華庭到處都是，這些繁榮的場(chǎng)景都需要文化品味的介入。而多元化的文化才是文化繁榮的魅力之所在。其實(shí)，漆畫進(jìn)入承德只是一個(gè)時(shí)間早晚的問(wèn)題，漆畫是一種可以借鑒所有繪畫技巧，融合繪畫和工藝技法的新型繪畫藝術(shù)表現(xiàn)形式。技法的多樣化、視覺(jué)的豐富感受、用工用時(shí)浩繁、個(gè)性特征鮮明、做工精美和易于長(zhǎng)期保存是漆畫的主要特點(diǎn)和優(yōu)勢(shì)。小的漆畫可以作為裝飾品隨身攜帶，大幅面的漆畫可以在公眾場(chǎng)合展出。它既可以單幅呈現(xiàn)，也可以多幅成系列地展示。無(wú)論抽象、具象都游刃有余，也可以用獨(dú)有材料堆砌展示凸凹有致的立體效果，甚至透明、半透明、反光折射等材料的運(yùn)用都可以達(dá)成異彩紛呈的獨(dú)特視覺(jué)功效。因而漆畫是雅俗不拒、貴賤咸宜的藝術(shù)表現(xiàn)形式。而地理上處于“連接京津冀遼蒙的重要節(jié)點(diǎn)”上的承德，至今尚無(wú)專門從事這一新興畫種創(chuàng)作的專業(yè)人才。 承德優(yōu)越的地理位置、高速發(fā)展的經(jīng)濟(jì)態(tài)勢(shì)和蓬勃的旅游氛圍已經(jīng)為承德的藝術(shù)創(chuàng)作奠定了堅(jiān)實(shí)的基礎(chǔ)。在承德的藝術(shù)創(chuàng)作隊(duì)伍中，已經(jīng)涌現(xiàn)了一大批各個(gè)畫種乃至不同流派的高水平畫家，唯獨(dú)沒(méi)有從事漆畫創(chuàng)作的專門人才，這種現(xiàn)狀既有一定的歷史原因，但最主要的還是因?yàn)殚L(zhǎng)期以來(lái)承德人傳統(tǒng)保守的思維定勢(shì)所決定的。承德在文化上確實(shí)缺乏思維的活躍，尚未形成良好的藝術(shù)創(chuàng)作氛圍。藝術(shù)創(chuàng)作氛圍的營(yíng)造需要一個(gè)長(zhǎng)期的過(guò)程和多方面因素的相互激勵(lì)。而藝術(shù)創(chuàng)作形式的多樣化則是藝術(shù)創(chuàng)作氛圍最重要的激活劑。如果說(shuō)良好的經(jīng)濟(jì)基礎(chǔ)應(yīng)該支撐起良好的藝術(shù)創(chuàng)作氛圍的話，那么只有多樣化的百家爭(zhēng)鳴、異彩紛呈的藝術(shù)創(chuàng)作氛圍才具有真正的活力和創(chuàng)造力，才能夠互相借鑒、互相促進(jìn)、共同發(fā)展。 作為文化故園的承德，有太多的題材可以用漆畫藝術(shù)來(lái)表現(xiàn)；作為旅游勝地的承德，也有很大的市場(chǎng)需要漆畫來(lái)填補(bǔ)。承德的旅游資源的主體是歷史遺留的皇家園林和宗教文化廟宇。無(wú)論是皇家園林還是宗教廟宇，都存在著保護(hù)和發(fā)掘的課題。其實(shí)在皇家園林里，不僅有許多早期的宮廷或民間進(jìn)貢的工藝品本身就是漆器和漆畫作品，此外還有大量的木質(zhì)質(zhì)地的建筑、家具或裝飾品也存在風(fēng)化老化的問(wèn)題，需要進(jìn)行維護(hù)保養(yǎng)。而封漆維護(hù)保養(yǎng)便是最常見(jiàn)的保養(yǎng)方法。在色澤和藝術(shù)表現(xiàn)力方面，漆畫已經(jīng)成為所有畫種中當(dāng)之無(wú)愧的畫魁了。正因?yàn)槿绱�，漆畫不僅成為當(dāng)今美術(shù)大賽大展中的獨(dú)立畫種，也早已成為包括人民大會(huì)堂的裝飾壁掛和國(guó)家博物館、中國(guó)美術(shù)館的館藏作品�？梢韵胂螅岙嬋腭v承德后，不僅能夠?qū)σ延械奈奈锕袍E的保護(hù)起到積極的作用，也會(huì)極大地豐富承德地區(qū)的旅游資源，沉淀浮躁情緒，豐富剩余勞力閑暇時(shí)間文化生活，解決藝術(shù)類大學(xué)生自主創(chuàng)業(yè)和就業(yè)的需要 經(jīng)濟(jì)的發(fā)展為文化的建設(shè)奠定了基石，而文化的發(fā)展也為經(jīng)濟(jì)的發(fā)展注入了新的活力。無(wú)論是主觀積極地引進(jìn)還是消極被動(dòng)等待，作為當(dāng)代美術(shù)創(chuàng)作的一個(gè)奇葩，不僅會(huì)在中國(guó)繼續(xù)發(fā)展，也會(huì)在世界藝術(shù)品市場(chǎng)上逐步提升自己的地位，，畢竟它涵蓋的工藝手法和兼容的藝術(shù)創(chuàng)作形式是其它藝術(shù)創(chuàng)作形式無(wú)法比擬和替代的。如果其它區(qū)域的覺(jué)悟意識(shí)相比較已經(jīng)滯后的話，對(duì)當(dāng)下的把握就應(yīng)該成為當(dāng)務(wù)之急了。本文所探討的漆畫入駐的案例不僅具有如何承繼承德傳統(tǒng)人文風(fēng)尚的實(shí)際意義，同時(shí)也希望借此拓寬文化發(fā)展的思路，為承德地域性的文化復(fù)興尋找到一條新的思路。
[Abstract]:Chengde, located at the foot of Yanshan, is the first "key cultural relic protection unit" in the country. It has a long historical heritage, a good cultural atmosphere, a unique geographical advantage, rich natural resources and smooth economic growth, which has laid a solid foundation for the cultural construction here. But under the whole environment, the people of Chengde are also born. The fault phenomenon in the cultural construction and the destruction and construction coexistence cases in the cultural construction are also happening. The inheritance of the historical culture and the learning of the new culture are in a relatively lagging state. Today's Chengde, the terrace and the luxury house are everywhere, and these flourishing scenes are all needed. In fact, lacquer painting into Chengde is only a matter of time and sooner. Lacquer painting is a new form of painting, which can draw on all the techniques of painting, combine painting and craft techniques. The variety of techniques, the rich sense of vision, and the use of work The main features and advantages of the lacquer painting are numerous, exquisite workmanship and long term preservation. Small lacquer paintings can be carried with them as ornaments, and large scale lacquer paintings can be displayed in public. It can be presented in a single way and can be displayed in a series. There are three dimensional effects, even transparent, even transparent, translucent, reflective and refracting materials, which can achieve unique visual effects. Therefore, lacquer painting is the artistic expression of elegance and vulgarity, and the geography is in Chengde, which is "an important node connecting Beijing, Tianjin, Hebei, Liaoning, Liaoning and Liaoning". Professional talents who specialize in this new type of painting.
Chengde's superior geographical position, the rapid development of economic situation and the vigorous tourism atmosphere have laid a solid foundation for the artistic creation of Chengde. In the art creations of Chengde, a large number of high level painters of various kinds of paintings and even different schools have been sprung up, only the special talents who have not been engaged in the creation of lacquer painting have been found. There are some historical reasons, but the most important thing is because of the long tradition of the Chengde people's traditional conservative thinking set. Chengde is really lack of active thinking in culture and has not formed a good atmosphere of artistic creation. The creation of the atmosphere of artistic creation requires a long-term process and a multifaceted incentive. The diversification of the form of creation is the most important activator in the atmosphere of artistic creation. If a good economic basis should support a good atmosphere of artistic creation, only a variety of various schools of art are contending, and the colorful atmosphere of artistic creation has real vitality and creativity, and can we learn from each other and promote each other. Development.
As the cultural garden of Chengde, there are too many subjects that can be displayed in lacquer painting. As a tourist resort, there is a great market for lacquer painting to fill. The main body of Chengde's tourism resources is the Royal Garden and religious culture temples left over by history. Both the emperor home forest and the religious temple are protected and excavated. In fact, in the Royal Garden, there are not only many early palace or folk arts and crafts itself is lacquer and lacquer painting, but also a large number of wood texture buildings, furniture or ornaments also have weathered aging problems, the need for maintenance and maintenance is the most common maintenance method. Lacquer painting has become the most worthy of all kinds of paintings in color and artistic expressiveness. Because of this, lacquer painting is not only an independent painting in the Great Exhibition of today's art competitions, but also a decorative wall hanging from the Great Hall of the people and the collection of the Chinese art gallery in National Museum. It can be imagined that lacquer painting is in Chengde. After that, it can not only play a positive role in the protection of the existing cultural relics and historic sites, but also greatly enrich the tourism resources in Chengde area, precipitate the impetuous emotion, enrich the cultural life of the spare time for the leisure time, and solve the needs of the independent business and employment of the art students.
The development of the economy has laid the foundation for the construction of culture, and the development of culture has also injected new vitality into the development of the economy. It will not only continue to develop in China, but also gradually improve its position in the world art market, whether it is a subjective active introduction or passive passive waiting. After all, the craft and the compatible forms of artistic creation are unparalleled and replaced by other forms of artistic creation. If the awareness of the awareness of other regions is lagging behind, the grasp of the present should become a top priority. The case of the lacquer painting discussed in this article not only has the tradition of inheriting the tradition of Chengde. At the same time, it also hopes to broaden the train of thought of cultural development and find a new way of thinking for Chengde's regional cultural renaissance.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213.9

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