新工筆繪畫在絲綢抱枕設(shè)計中的應(yīng)用
發(fā)布時間:2018-05-29 10:10
本文選題:絲綢抱枕 + 新工筆 ; 參考:《浙江理工大學(xué)》2017年碩士論文
【摘要】:本次設(shè)計的主題是“新工筆繪畫在絲綢抱枕設(shè)計中的應(yīng)用”,此次設(shè)計從了解分析新工筆畫的構(gòu)圖用色特點入手,結(jié)合染織家紡抱枕設(shè)計新要求,選擇特定動物花卉等做為載體展開繪畫設(shè)計,一共七幅創(chuàng)作設(shè)計圖。最終以抱枕實體形式展出,給絲綢抱枕帶來全新的形式與內(nèi)容呈現(xiàn),促進兩者的共同發(fā)展,響應(yīng)“一帶一路”的口號,增強絲綢產(chǎn)品的競爭力。文章主要分為五個部分:第一部分為創(chuàng)作的作品圖片和創(chuàng)作過程圖片,記錄了從創(chuàng)作思路萌芽到題材選擇起草到試色選擇以及正稿的完成,呈現(xiàn)了筆者在設(shè)計過程中的嘗試與探索。第二部分為需求調(diào)研報告:根據(jù)設(shè)計需求對當(dāng)前市場中的抱枕紋樣進行調(diào)研,探求市場的盲點。通過走訪實體店,查閱相關(guān)書籍雜志,瀏覽線上網(wǎng)店等方式,并把收集到的抱枕紋樣,按照圖案題材,圖案構(gòu)成形式,圖案表現(xiàn)手段三個標(biāo)準(zhǔn)進行分類。對調(diào)研的數(shù)據(jù)進行分析,得出市場現(xiàn)狀和新要求,思考發(fā)展對策,為創(chuàng)作設(shè)計提供切入點,決定將圖案的創(chuàng)新方向定位為新工筆繪畫紋樣設(shè)計。第三部分文獻研究報告:為了設(shè)計出有競爭力,感染力的作品,翻閱大量相關(guān)的書籍與文獻,分析研究抱枕的文化史圖案史,總結(jié)和歸納,由此指導(dǎo)創(chuàng)作的進行。把繪畫紋樣運用在絲綢面料上,首先要先考慮其面料的特性和織造原理,如何能夠?qū)⒐すP繪畫與抱枕自然的結(jié)合更加富有現(xiàn)代設(shè)計感,更全面的結(jié)合和突出兩者的優(yōu)勢便是了設(shè)計中要解決的重點和難點。因此另一方面,研究新工筆繪畫的特色,新工筆圖案的優(yōu)勢,創(chuàng)作的要點,運用于抱枕上的圖案的修改設(shè)計方法。使其達(dá)到內(nèi)涵與藝術(shù)性的統(tǒng)一。第四部分設(shè)計過程實踐報告,從收集整理的抱枕素材與繪畫資料作為參考,從造型,色彩,構(gòu)圖,三方面展現(xiàn)具體的設(shè)計實踐過程。第五部分設(shè)計總結(jié)報告,現(xiàn)代的新工筆紋樣構(gòu)圖富有趣味性,樣式新穎,色彩雅致,一改傳統(tǒng)國畫給人帶來的古板感覺,運用于家紡設(shè)計中,視覺效果甚佳。以新工筆紋樣作為裝飾內(nèi)容也不同于傳統(tǒng)市場大批量的連續(xù)紋樣的印刷,在抱枕上展現(xiàn)自由靈活的獨幅繪畫圖案,提升了抱枕的藝術(shù)品味與文化內(nèi)涵,更加吸引消費者,賦予抱枕更多的形式美感與新式審美體驗,能夠更好地展現(xiàn)抱枕紋樣的豐富性,同時為家紡紋樣的設(shè)計開拓了更廣闊的空間。在設(shè)計過程中,需打破傳統(tǒng)紋樣在面料上的的固定的模式,創(chuàng)造新的裝飾效果,使二者能夠?qū)崿F(xiàn)最優(yōu)設(shè)計和體現(xiàn)最高程度的結(jié)合。賦予絲綢抱枕新形勢與市場競爭力。
[Abstract]:The theme of this design is "the application of new fine brushwork painting in silk pillow design." this design begins with the understanding and analysis of the color characteristics of the composition of the new meticulous brushwork, and combines with the new requirements for the design of dyed and woven home textile pillow. Select specific animals and flowers as the carrier to carry out painting design, a total of seven creative design drawings. Finally, it is displayed in the form of pillow entity, which brings new form and content to silk pillow, promotes the common development of both, responds to the slogan of "Belt and Road", and strengthens the competitiveness of silk products. The article is mainly divided into five parts: the first part is the creation of pictures and creative process pictures, recording from creative ideas to theme selection drafting to trial color selection, as well as the completion of the original manuscript. Presents the author's attempt and exploration in the design process. The second part is the demand research report: according to the design demand, the pillow pattern in the current market is investigated, and the blind spot of the market is explored. By visiting physical stores, consulting related books and magazines, browsing online shops and other ways, and collecting pillow patterns, according to the theme of the pattern, the form of the pattern, the pattern expression means of three standards are classified. This paper analyzes the data of investigation, obtains the market present situation and new requirements, considers the development countermeasure, provides the breakthrough point for the creative design, and decides to position the innovative direction of the pattern as the new meticulous brushwork pattern design. The third part of the literature research report: in order to design competitive, infectious works, read a large number of relevant books and documents, analysis and study of the history of cultural history of pillow history, summary and induction, so as to guide the creation. To apply painting patterns to silk fabrics, we must first consider the characteristics of the fabric and the weaving principle, and how to combine fine brushwork painting and pillow nature into a more modern design sense. More comprehensive combination and highlight the advantages of both is the key and difficult to solve in the design. On the other hand, the characteristics of the new fine brushwork painting, the advantages of the new meticulous brushwork patterns, the main points of creation, are applied to the modified design method of the patterns on the pillow. Make it achieve the unity of connotation and artistry. The fourth part of the practical report of the design process, from the collection of pillow materials and painting materials as a reference, from the modeling, color, composition, three aspects of the specific design practice. The fifth part of the design summary report, the modern new meticulous brushwork pattern composition is full of interesting, the style is novel, the color is elegant, a change traditional Chinese painting to bring to people the stereotype feeling, applies in the home textile design, the visual effect is very good. Using the new fine brushwork pattern as decoration content is also different from the mass continuous pattern printing in the traditional market. It shows the free and flexible single painting pattern on the pillow, promotes the artistic taste and cultural connotation of the pillow, and attracts more consumers. Giving pillow more formal aesthetic sense and new aesthetic experience, can better show the richness of pillow patterns, at the same time for the design of home textile patterns to open up a broader space. In the process of design, it is necessary to break the fixed pattern of traditional pattern on fabric and create new decorative effect, so that the two can realize the combination of optimal design and embodiment of the highest degree. To give silk pillow new situation and market competitiveness.
【學(xué)位授予單位】:浙江理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:TS941.75;J212
【參考文獻】
相關(guān)期刊論文 前2條
1 徐曦;;當(dāng)代女性花鳥畫家“新工筆”探析——以雷苗、高茜為例[J];咸陽師范學(xué)院學(xué)報;2015年03期
2 鄧?yán)?;談當(dāng)代“新工筆”的表現(xiàn)語言[J];大理學(xué)院學(xué)報;2014年01期
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