本文選題：高更 + 塔希提時(shí)期�。� 參考：《湖南科技大學(xué)》2017年碩士論文

【摘要】：高更的藝術(shù)生涯中,最輝煌的成果是在塔希提島時(shí)期創(chuàng)造出來的,研究高更這一時(shí)期的創(chuàng)作經(jīng)歷發(fā)現(xiàn),高更踏上塔希提島尋找自己的“精神棲息地”,拾起塔希提已經(jīng)缺失嚴(yán)重的土著文化殘余,融入自己需要的各種文化因素,創(chuàng)造性的重構(gòu)出新的塔希提原始土著文化架構(gòu),從而表現(xiàn)到自己塔希提時(shí)期的畫作中,本文以對(duì)高更作品中的幾大主要?jiǎng)?chuàng)作主題為主線展開分析研究,剖析高更這一時(shí)期的藝術(shù)理念及藝術(shù)價(jià)值,高更“因心造境,以手運(yùn)心”,無疑是成功的,他的創(chuàng)造性的綜合主義手法得到了世界的認(rèn)可,我們研究分析高更的這個(gè)創(chuàng)造過程,從而了解高更挖掘塔希提的土著文化,融合、重構(gòu)它的細(xì)節(jié)經(jīng)驗(yàn),必將對(duì)咋們自個(gè)的主題繪畫藝術(shù)創(chuàng)作有著良好的借鑒作用。在高更的塔希提時(shí)期繪畫表現(xiàn)中我們也發(fā)現(xiàn)了高更另外的一面,那就是作為雕刻家、版畫家的一面,通過對(duì)高更雕刻作品圖片的收集整理發(fā)現(xiàn),高更雕刻、版畫藝術(shù)方面的成就對(duì)高更塔希提時(shí)期繪畫的影響巨大,高更去塔希提之前就在浮雕作品制作上呈現(xiàn)出明顯的原始主義風(fēng)格傾向,為后來的塔希提原始土著題材的畫面風(fēng)格奠定了基礎(chǔ),去了塔希提島之后也是首先在雕刻藝術(shù)作品中開展了對(duì)原始土著文化的基本架構(gòu),然后將其介入畫面之中,最終高更綜合多元文化因素,進(jìn)行了一種創(chuàng)造性的融合,本文通過分析高更塔希提時(shí)期繪畫的藝術(shù)表現(xiàn)總結(jié)高更如何重構(gòu)塔希提土著文化,并提出了自己的見解和看法。
[Abstract]:The greatest achievement of Gauguin's artistic career was created during the Tahiti period. After studying the creative experience of Gauguin, Gauguin set foot on Tahiti in search of his own "spiritual habitat." Picking up the serious aboriginal cultural remnants of Tahiti, integrating the various cultural factors needed by Tahiti, creatively reconstructing the new primitive native culture structure of Tahiti, and then displaying it in his paintings during the Tahiti period. Based on the analysis and study of the main creative themes in Gauguin's works, this paper analyzes the artistic ideas and artistic values of Gauguin's period. Gauguin's "creating environment with his heart and operating his heart with his hands" is undoubtedly successful. His creative integralist approach was recognized by the world. We studied and analyzed the creative process of Gauguin in order to understand Gauguin's excavation of Tahiti's indigenous culture, to integrate and reconstruct its detailed experience. It will certainly be a good reference for our own theme painting art creation. In the Tahiti period of Gauguin, we also found another aspect of Gauguin, that is, as a sculptor, as a printer, through the collection of pictures of Gauguin's sculptures, we found that Gauguin engraved. The achievements in printmaking had a great influence on the painting of Gauguin Tahiti. Before Gauguin went to Tahiti, Gauguin showed an obvious trend of primitive style in the production of embossed works. It laid the foundation for the later painting style of Tahiti's original indigenous theme. After going to Tahiti Island, the basic structure of the original indigenous culture was first carried out in the sculptural art works, and then it was involved in the painting. Finally, Gauguin synthesizes the multi-cultural factor, carries on a kind of creative fusion, this article through the analysis Gauguin Tahiti painting artistic expression summarizes how Gauguin reconstructs the Tahiti native culture, and has put forward own opinion and the view.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205

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相關(guān)期刊論文 前2條

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本文編號(hào)：1950355