本文選題：北宋 + 花鳥畫��； 參考：《南昌大學(xué)》2013年碩士論文

【摘要】：中國花鳥畫的獨(dú)立分科始于唐朝,經(jīng)五代的發(fā)展,至兩宋時(shí)期大方異彩。五代宋初花鳥畫出現(xiàn)兩種不同的審美思想,即在朝的“黃家富貴”和在野的“徐熙野逸”。審美情趣的不同致使“黃家”以精細(xì)、一絲不茍的造形,明亮艷麗的設(shè)色,富貴雍容的題材為標(biāo)榜,而“徐氏”則是落墨為格,畫風(fēng)瀟灑雅致,題材多選鄉(xiāng)野間常見的景物,追求典雅清高的氣質(zhì)。這兩種風(fēng)格經(jīng)過一個(gè)世紀(jì)的發(fā)展,走向了工筆寫實(shí)和水墨寫意兩個(gè)道路。宋初至神宗年間“黃家”作為畫院里的唯一風(fēng)格標(biāo)準(zhǔn),北宋初期,“黃體”之盛一直主導(dǎo)著花鳥畫的風(fēng)格面貌。至崔白、吳元瑜一出,花鳥畫的風(fēng)格面貌發(fā)生了改革。他們將畫院外的寫實(shí)與院體風(fēng)貌相結(jié)合,把大自然帶進(jìn)了畫面中達(dá)到了“氣韻生動(dòng)”的境界。而宣和年間,宋徽宗和“宣和體”繼承并發(fā)揚(yáng)了崔白畫派的這種繪畫風(fēng)格。北宋年間,花鳥畫在帝王的推崇下,站在了“粉飾大化,文明天下,亦所以觀眾目、協(xié)和氣焉”的政治高度,同時(shí)在帝王的大力發(fā)展下,花鳥畫的教學(xué)有了較完整的制度,從工筆形態(tài)中衍生出來的水墨形態(tài)正在被文人們所接受,并對(duì)后世發(fā)展出繪畫新方向鋪墊了道路。
[Abstract]:The independent division of Chinese flower and bird painting began in the Tang Dynasty, with the development of the Five Dynasties and the splendor of the two Song Dynasty. The five generation of Song Chu flower and bird painting appeared in two different aesthetic ideas, that is, the "Huang family rich and noble" and the "Xu Xiye Yi" in the field. The theme of rich and noble and graceful is the mark, and "Xu's" is the style of painting, the style of painting is elegant and elegant, the theme is more common in the countryside, the pursuit of elegance and high temperament. After one century's development, the two styles have gone to the two roads of writing and ink painting. The "Huang family" in the early Song Dynasty to the emperor was the only one in the painting academy In the early Northern Song Dynasty, the "yellow body" was dominated by the style of the flower and bird painting in the early Northern Song Dynasty. To Cui Bai and Wu Yuanyu, the style of the flower and bird painting had been reformed. The "Xuan he body" inherited and developed this style of painting of the Cui Bai painting school. During the Northern Song Dynasty, flower and bird painting was highly praised by the emperor, and stood in the political height of "whitewashing, civilized world, and therefore the audience, and harmony with Qi". At the same time, under the great development of the emperor, the teaching of flower and bird painting had a more complete system and derived from the form of work. The ink and wash patterns produced are being accepted by the literati and paved the way for the later development of new directions in painting.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 杜杰;賞心只有兩三枝[D];曲阜師范大學(xué);2015年

，

本文編號(hào)：1938551