本文選題：詩詞 + 中國畫��； 參考：《陜西師范大學(xué)》2013年碩士論文

【摘要】：中國畫不同于西方繪畫,除繪畫本身外還包含詩詞、書法和印章,這些元素構(gòu)成了中國畫的顯著特點(diǎn),也增添了中國畫的表現(xiàn)力和審美價(jià)值。尤其是畫面上題寫詩詞,更能傳達(dá)畫家的思想情感和志趣愛好。 本文首先研究詩詞與中國畫結(jié)合的起源和發(fā)展。分析指出：中國畫的詩畫融合經(jīng)歷了一個(gè)相當(dāng)長的過程而逐漸發(fā)展成熟的。從隋唐時(shí)期出現(xiàn)興起,至五代宋元繁榮,到明清時(shí)期鼎盛。近現(xiàn)代的一些國畫大師們,繼承了這一優(yōu)良傳統(tǒng)。在當(dāng)代雖然詩詞入畫的形成趨于多樣,但總體看來,在數(shù)量上已逐漸減少。 筆者從幾個(gè)方面研究論述了詩詞對(duì)于中國畫的重要作用： 一、可以表現(xiàn)畫面上無法表現(xiàn)的內(nèi)容,更好地傳達(dá)畫家的主旨。 二、可以增強(qiáng)畫面的意境。 三、可以提高畫家的文學(xué)修養(yǎng)和綜合素質(zhì),從而創(chuàng)作出有高品味和藝術(shù)水準(zhǔn)的畫作。 四、可以完善畫面構(gòu)圖的需要,產(chǎn)生獨(dú)特的形式美。 五、對(duì)于美術(shù)史研究和畫作的考證有一定的作用。 最后,筆者對(duì)當(dāng)代詩詞入畫這一優(yōu)良傳統(tǒng)逐漸缺失的現(xiàn)狀進(jìn)行了研究分析,特別是筆者根據(jù)自己的切身感受強(qiáng)烈建議在教育課程中應(yīng)該增加詩詞寫作內(nèi)容,呼吁每位有志于中國畫創(chuàng)作研究的畫家都應(yīng)高度重視詩詞的學(xué)習(xí),提高自己的傳統(tǒng)文化素養(yǎng),這樣才能創(chuàng)作出優(yōu)秀的中國畫作品。
[Abstract]:Chinese painting is different from western painting. In addition to painting itself, Chinese painting also contains poetry, calligraphy and seal. These elements constitute the outstanding characteristics of Chinese painting, but also increase the expressiveness and aesthetic value of Chinese painting. In particular, writing poems on the screen can convey the artist's thoughts, feelings and interests. This paper first studies the origin and development of the combination of poetry and Chinese painting. It is pointed out that the integration of poetry and painting in Chinese painting has experienced a long process and gradually developed and matured. From the rise of Sui and Tang dynasties to the prosperity of Song and Yuan dynasties, to the peak of Ming and Qing dynasties. Some modern masters of Chinese painting have inherited this fine tradition. Although the formation of poetry and painting tends to be diverse, overall, the number has gradually decreased. The author discusses the important role of poetry in Chinese painting from several aspects: First, it can express the content that can not be shown on the screen, and better convey the main idea of the painter. Second, it can enhance the artistic conception of the picture. Third, it can improve the artist's literary accomplishment and comprehensive quality, thus creating paintings with high taste and artistic standard. Fourth, can perfect the need of picture composition, produce unique form beauty. Fifthly, it plays a certain role in the study of art history and the textual research of paintings. Finally, the author makes a study and analysis of the present situation of the gradual absence of the fine tradition of contemporary poetry and painting, especially the author strongly suggests that the content of poetry writing should be added to the educational curriculum according to my own personal feelings. Every painter who is interested in the study of Chinese painting creation should attach great importance to the study of poetry and improve his traditional cultural accomplishment so as to create excellent Chinese painting works.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 洪惠鎮(zhèn);;略論當(dāng)代山水畫意境的“流失”等問題[J];國畫家;2010年04期

2 孔壽山;論中國的題畫詩[J];文藝?yán)碚撆c批評(píng);1994年06期

，

本文編號(hào)：1937754