探析莫伊謝延科繪畫的藝術(shù)魅力
發(fā)布時(shí)間:2018-05-26 10:10
本文選題:莫伊謝延科 + 繪畫語(yǔ)言�。� 參考:《廣西藝術(shù)學(xué)院》2017年碩士論文
【摘要】:莫伊謝延科是上世紀(jì)俄羅斯社會(huì)主義時(shí)期重要的畫家之一,其藝術(shù)影響巨大。與同時(shí)代藝術(shù)家相比,其繪畫藝術(shù)面貌獨(dú)特�?v觀其藝術(shù)創(chuàng)作的歷程,對(duì)于繪畫理念有著獨(dú)特個(gè)人見(jiàn)解,以自身所屬的時(shí)代去感受社會(huì)生活的變化關(guān)注人民內(nèi)心的呼吁與自身的藝術(shù)創(chuàng)作緊密聯(lián)系在一起。在藝術(shù)創(chuàng)作的實(shí)踐道路上注重藝術(shù)創(chuàng)作中繪畫語(yǔ)言的純正性,促使其對(duì)繪畫語(yǔ)言現(xiàn)表現(xiàn)力的專研。本文以莫伊謝延科的大時(shí)代創(chuàng)作背景下對(duì)其的藝術(shù)影響為切入點(diǎn),闡述其藝術(shù)理念促使其藝術(shù)語(yǔ)言表現(xiàn)探索。并圍繞莫伊謝延科創(chuàng)作實(shí)踐發(fā)展進(jìn)程中,其獨(dú)特的繪畫面貌變化過(guò)程,揭示繪畫表現(xiàn)技巧必要性。文章分三個(gè)章節(jié):第一章節(jié)講述莫伊謝延科藝術(shù)生平的基本脈絡(luò)及藝術(shù)理論與繪畫歷史進(jìn)程,闡述其繪畫語(yǔ)言探索;第二章節(jié)分析其繪畫作品的空間、戲劇情節(jié)、造型、黑白構(gòu)置、留白、的處理技巧;第三章節(jié)結(jié)合筆者的藝術(shù)創(chuàng)作說(shuō)明莫伊謝延科的藝術(shù)對(duì)筆者思想和繪畫創(chuàng)作實(shí)踐過(guò)程中的影響。莫伊謝延兢兢業(yè)業(yè)追求藝術(shù)態(tài)度和藝術(shù)研究成果是值得筆者去學(xué)習(xí)的。
[Abstract]:Moyshyenko was one of the most important painters in the Russian socialist period in the last century, whose artistic influence was great. Compared with contemporary artists, its painting art features are unique. Throughout the course of his artistic creation, there is a unique personal view on the concept of painting, with their own era to feel the changes in social life, concern the people's inner appeal and their own artistic creation is closely linked. On the practical road of artistic creation, we should pay attention to the purity of painting language in artistic creation, and urge it to study the expressive power of painting language. In this paper, Moi Sheyenko's artistic influence on Moi Sheyenke under the background of his creation in the big times is the breakthrough point, and his artistic idea is to promote his artistic language expression exploration. And around Moi Sheyenko's creation practice development process, its unique painting appearance change process, reveals the painting expression skill necessity. The article is divided into three chapters: the first chapter describes the basic context of Moi Sheyenko's art life and art theory and painting history process, expounds the exploration of his painting language, the second chapter analyzes the space, drama plot, modeling of his paintings, The third chapter explains the influence of Moi Sheyenko's art on the author's thought and painting practice. Moi-Sheyan's conscientious pursuit of artistic attitude and art research results is worth learning.
【學(xué)位授予單位】:廣西藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J205
【參考文獻(xiàn)】
相關(guān)期刊論文 前4條
1 平平凡;;莫伊謝延科的繪畫風(fēng)格研究與借鑒[J];藝術(shù)教育;2016年02期
2 范旭東;;藝術(shù)價(jià)值與時(shí)代精神的典范——莫伊謝延科的表現(xiàn)性油畫[J];美術(shù)觀察;2012年10期
3 呂杰璋;;俄羅斯社會(huì)主義時(shí)期的藝術(shù)巨匠——莫伊謝延科繪畫之路[J];黃岡師范學(xué)院學(xué)報(bào);2012年01期
4 Г.В.克庫(kù)舍娃,張同霞;莫伊謝延科的油畫《母親們,姐妹們》[J];世界美術(shù);1984年03期
,本文編號(hào):1936841
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/1936841.html