本文選題：數(shù)碼版畫 + 實(shí)驗(yàn)性��； 參考：《東北師范大學(xué)》2014年碩士論文

【摘要】：數(shù)碼版畫是當(dāng)代新興的版畫制作方式,也是一種與觀眾進(jìn)行交流與溝通的新媒介。數(shù)碼版畫是在特定的科學(xué)社會(huì)環(huán)境下衍生出來的。數(shù)碼版畫是真正的計(jì)算機(jī)本身的創(chuàng)作,從這個(gè)意義上來說,將數(shù)碼版畫藝術(shù)作品稱之為計(jì)算機(jī)藝術(shù)品也無可厚非。數(shù)碼藝術(shù)創(chuàng)作基本工具就是計(jì)算機(jī)與打印機(jī),它超越了人類大腦的想象力,作品有很大的隨意性和隨機(jī)性,并往往有出人意料的效果。其新穎別致的效果,令人耳目一新。具有強(qiáng)烈的時(shí)代感和觀念感。數(shù)碼藝術(shù)變幻莫測,也代表了當(dāng)今人們追求的藝術(shù)新浪潮。雖然數(shù)碼版畫的藝術(shù)形式取得了一些成就,但是通過近年來的版畫展來看,大家對數(shù)碼版畫的認(rèn)知還是局限在打印噴繪,設(shè)計(jì)味道較濃的廉價(jià)印刷上。國外的一些大型版畫展已經(jīng)承認(rèn)數(shù)碼版畫這個(gè)新興的媒介版畫技術(shù),也更好的利用了數(shù)碼版畫的優(yōu)勢進(jìn)行藝術(shù)創(chuàng)作。在國內(nèi),藝術(shù)家仍以傳統(tǒng)的版畫印制技法進(jìn)行版畫創(chuàng)作,對數(shù)碼版畫這個(gè)另類物種并不能完全接受。不能完全接受的根本原因在于數(shù)碼版畫與傳統(tǒng)版畫相比,缺乏了繪畫性,印痕藝術(shù)與材質(zhì)技法上的缺失。但這些缺點(diǎn)并不足以抹殺掉數(shù)碼版畫帶給我們的驚喜。本文通過解讀數(shù)碼版畫,并對其阻礙自身發(fā)展的原因進(jìn)行剖析,探尋數(shù)碼版畫創(chuàng)作的實(shí)驗(yàn)性應(yīng)用,從而尋求解決對策。
[Abstract]:Digital printmaking is a new way of making printmaking and a new medium for communication and communication with the audience. Digital printmaking is derived from a specific scientific and social environment. Digital printmaking is the creation of the real computer itself. In this sense, it is reasonable to call digital printmaking works of art computer art. The basic tool of digital art creation is computer and printer. It transcends the imagination of human brain, works have great randomness and randomness, and often have unexpected effect. Its novel and unique effect is refreshing. Have a strong sense of the times and sense of ideas. The vagaries of digital art also represent the new wave of art pursued by people today. Although some achievements have been made in the art form of digital printmaking, through the recent print exhibition, the cognition of digital printmaking is still confined to printing inkjet painting and designing cheap printing with strong taste. Some large print exhibitions abroad have recognized digital printmaking as a new medium printmaking technology, and have also made better use of the advantages of digital printmaking for artistic creation. In China, artists still use traditional printmaking techniques to print, digital printmaking this alternative species can not be fully accepted. The fundamental reason why it can not be completely accepted is that compared with traditional printmaking, digital printmaking lacks painting, imprint art and material skills. But these shortcomings are not enough to wipe out the digital prints to our surprise. This paper explores the experimental application of digital printmaking in order to find out the countermeasures by analyzing the reasons that hinder its development.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J217

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