本文關(guān)鍵詞：從中西方繪畫中解讀繪畫的抽象性和表現(xiàn)性，由筆耕文化傳播整理發(fā)布。

1.

On the Feasibility of Representational Painting in Teaching;

論“具象表現(xiàn)性繪畫”在教學(xué)中的可行性

2.

Explaining the Painting s Abstract and Expression from the Chinese and the Western Paintings;

從中西方繪畫中解讀繪畫的抽象性和表現(xiàn)性

3.

The Abstraction of the Concrete Drawing And the Concretion of Abstract Drawing;

具象繪畫的抽象性與抽象繪畫的具象性

4.

Methodology Based on the Foundational System of “Modern Concrete Expressional Painting”;

基于“現(xiàn)代具象表現(xiàn)繪畫”基礎(chǔ)體系的方法論

5.

Classical Reconstruction - on the Painting Space of Concrete Expressionism;

論具象表現(xiàn)主義繪畫的成就及其當(dāng)代啟示

6.

The Significance of the Image Painting Method in College Teaching;

具象表現(xiàn)繪畫方法在學(xué)院教學(xué)中的意義

7.

The Idea Has the Elephant and Abstract Painting Works to Express the Comparison of the Characteristic Research in the Spirit;

意象 具象和抽象繪畫作品中精神性表達(dá)特征的比較研究

8.

Abstract Description as a Technique in Painting;

試論繪畫藝術(shù)表現(xiàn)手段中的抽象性描述

9.

The Graphic Expression of Colouring & Images in Ai Qing s Early Poems;

論艾青早期詩(shī)歌中色彩與意象的繪畫性表現(xiàn)

10.

West Expressionism Drawing and Chinese Image Oil Painting Spirit Expression Similarities and Differences

西方表現(xiàn)主義繪畫和中國(guó)意象性油畫精神表達(dá)的異同

11.

Nonrepresentational imagery is not restricted to modem painting but appears also in earlier forms such as aurignacian decorative meanders.

非具象派意象則不僅限于當(dāng)代繪畫，還出現(xiàn)在早期繪畫中，如奧瑞納文化中的裝飾性回紋波型。

12.

Figurative Expressionism in China s Culture;

傳承與升華——具象表現(xiàn)主義藝術(shù)與中國(guó)繪畫的因緣

13.

A visual representation or image painted, drawn, photographed, or otherwise rendered on a flat surface.

繪畫，圖畫繪畫、拍照或用其他方法置在平面上的視覺表現(xiàn)或意象

14.

the graphic or photographic representation of a visual percept.

對(duì)視覺對(duì)象的繪畫或攝影表現(xiàn)。

15.

Shadow and Mirror Image--Expressive and Emblematic Painting Technique;

影子與鏡像——表現(xiàn)與象征的繪畫手法

16.

On Abstract Expressionistic Painting and the Reflection of Spirit of the Times;

論抽象表現(xiàn)主義繪畫折射的時(shí)代精神

17.

Concretion and Abstracticn On the maltiplicity of lines in the art of painting;

具象與抽象——論線在繪畫藝術(shù)中的多重性

18.

Skills to Capture Colours of Transient Impression--on paintings of Impressionism;

在“瞬間印象”中色彩的表現(xiàn)技法——淺談?dòng)∠笈衫L畫

  本文關(guān)鍵詞：從中西方繪畫中解讀繪畫的抽象性和表現(xiàn)性，由筆耕文化傳播整理發(fā)布。