本文選題：寫意 + 水墨人物��； 參考：《青島科技大學(xué)》2014年碩士論文

【摘要】：在中國繪畫中寫意畫是一門亙古長(zhǎng)青的藝術(shù)，是隨著時(shí)代的發(fā)展和審美情趣的的發(fā)展變化而變化的。中國水墨畫以宋代梁楷的減筆畫，開啟了中國人物畫的寫意之門。 水墨人物畫在二十世紀(jì)的發(fā)展是非常成功的，三四十年代徐悲鴻、蔣兆和開創(chuàng)了一個(gè)新的寫實(shí)主義風(fēng)格產(chǎn)生了重要的影響。在新中國建立后水墨人物畫發(fā)展上升到一個(gè)新的空間,其發(fā)展速度之快，規(guī)模都達(dá)到空前狀態(tài)。在這個(gè)過程中,周思聰起到了承前啟后的作用，引領(lǐng)了這個(gè)時(shí)代的繪畫發(fā)展，其力量不可小覷。周思聰在中國當(dāng)代藝術(shù)中具有卓著的成就，其繪畫個(gè)性鮮明、是一個(gè)繪畫風(fēng)格不可替代的女性畫家,在她的水墨人物畫中不管是巨幅歷史性的題材《礦工圖組畫》還是小品性系列，以表現(xiàn)少數(shù)民族婦女形象為主的，，描繪的彝族婦女個(gè)個(gè)栩栩如生。她的人物造型以拙為美，突出人物質(zhì)樸單純的感覺是集美拙之大成。周思聰將自己的滿腔熱情奉獻(xiàn)給了中國畫藝術(shù)，長(zhǎng)期探索于中國的繪畫發(fā)展，很好的詮釋了寫實(shí)主義,同時(shí)對(duì)水墨人物畫進(jìn)行了創(chuàng)新。她前期的作品大部分都是以表現(xiàn)寫實(shí)為主的風(fēng)格特點(diǎn),畫中的人物多是表現(xiàn)歷史人物、平民百姓，在創(chuàng)作題材時(shí)慣用傳統(tǒng)的筆墨語言表現(xiàn)生活。在這之后的則用現(xiàn)代繪畫語言來表現(xiàn)現(xiàn)代生活為主,將中國傳統(tǒng)文化中的寫實(shí)造型藝術(shù)和西方現(xiàn)代構(gòu)成藝術(shù)很好的融合到一起。
[Abstract]:Freehand brushwork is an everlasting art in Chinese painting, which changes with the development of the times and the development of aesthetic taste. Chinese ink painting opened the door of freehand brushwork of Chinese figure painting by reducing stroke by Liang Kai in Song Dynasty. The development of ink figure painting in the 20th century is very successful. In the 1930s and 1940s, Xu Beihong and Jiang Zhaohe created a new style of realism that had an important impact. After the establishment of New China, the development of ink figure painting rose to a new space, its development speed and scale have reached an unprecedented state. In this process, Zhou Sicong plays the role of connecting the past to the future, leading the development of painting in this era, its strength can not be underestimated. Zhou Sicong is an irreplaceable female painter with outstanding achievements in Chinese contemporary art. In her wash and ink figure painting, no matter it is a monumental historical theme "miners' drawing group painting" or a series of small characters, it mainly reflects the image of minority women, and depicts Yi women as lifelike. Her figure shape to be clumsy for the United States, outstanding character simple feeling is the collective beauty of the great success of the clumsy. Zhou Sicong dedicated his enthusiasm to the art of Chinese painting, exploring the development of Chinese painting for a long time, a good interpretation of realism, while the ink figure painting innovation. Most of her earlier works are mainly realistic style characteristics. The characters in the paintings are mostly historical figures, ordinary people, in the creation of the subject matter used to use the traditional brush and ink language to express life. After this, modern painting language is used to express modern life, and the realistic plastic arts in Chinese traditional culture and western modern composing art are well integrated together.
【學(xué)位授予單位】：青島科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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