本文選題：屏風(fēng) + 功能　； 參考：《湖南科技大學(xué)》2017年碩士論文

【摘要】：屏風(fēng)自古以來便是我國家裝用具中不可或缺的一部分,不僅具有良好的空間分割功能,還具有精致的美感,在家裝設(shè)計(jì)方面得到了廣泛地使用。在古代屏風(fēng)便有“正”、“背”之分,安置在房屋里的屏風(fēng)在劃分空間的同時,還最大程度的保留了房間的整體美感。當(dāng)個體處于一個背靠屏風(fēng)的位置時,相比較空間中的其他個體來說,它的存在是比較獨(dú)立的。另外,將屏風(fēng)作為繪畫素材融入到畫作之中,充分增強(qiáng)了畫作的立體感,為創(chuàng)作者的思想情感提供了寄托。本文以五代至宋這一時期的繪畫作品中的屏風(fēng)為例,就屏風(fēng)安置位置以及蘊(yùn)含在屏風(fēng)之中的情感文化展開分析,以此加強(qiáng)對屏風(fēng)的全面了解。本文的第一章節(jié)主要寫通過作者大量地查閱資料以及在長沙市譚國斌當(dāng)代藝術(shù)館對《宋畫全集》的認(rèn)真閱讀,歸納、總結(jié)出這一時期涉及到屏風(fēng)的繪畫作品的數(shù)量;并且根據(jù)屏風(fēng)形制的不同對繪畫作品中的屏風(fēng)進(jìn)行了分類,對具有代表性的優(yōu)秀作品進(jìn)行了重點(diǎn)分析。第二章節(jié)重點(diǎn)分析繪畫作品中屏風(fēng)的功能及特征,首先闡述屏風(fēng)本身的功能——分割空間、嚴(yán)格禮制;界而未界、隔而不斷;含蘊(yùn)風(fēng)水、曲則有情;審美載體、居室美化;虛實(shí)錯位、內(nèi)外延展。接下來,闡述屏風(fēng)在畫面中的特征——引導(dǎo)審美視角、疊加審美層次;營造畫面意境、形成特定氛圍;畫中有畫、別出機(jī)杼;融心中雅趣、點(diǎn)胸中丘壑;對這一系列內(nèi)容進(jìn)行重點(diǎn)講解、分析。第三章節(jié)通過對作品中屏風(fēng)的分析,歸納出畫中屏風(fēng)所表現(xiàn)的主要內(nèi)容,以及這些表現(xiàn)內(nèi)容在畫面中的作用。最后,第四章節(jié)寫我們現(xiàn)代繪畫中關(guān)于屏風(fēng)的運(yùn)用及應(yīng)注意的問題。整篇論文通過對屏風(fēng)、以及畫面中的屏風(fēng)進(jìn)行分析,同時從人文角度和精神層面對屏風(fēng)藝術(shù)進(jìn)行探討和剖析。在進(jìn)行課題的研究時,筆者對前人提出的先進(jìn)理念加以了借鑒,致力于找尋到更加高效、科學(xué)的角度進(jìn)行屏風(fēng)藝術(shù)的了解。同時還利用了筆者在美學(xué)、視覺方面的知識對屏風(fēng)進(jìn)行歷史層面的解讀。
[Abstract]:Since ancient times, screen is an indispensable part of our home furnishings. It not only has a good space segmentation function, but also has a delicate aesthetic sense, and has been widely used in home decoration design. In ancient times, there were "positive" and "back" in the screen, the screen placed in the house in the division of space, but also to the greatest extent retained the overall aesthetic sense of the room. When an individual is in a position behind a screen, its existence is more independent than that of other individuals in space. In addition, the screen as the painting material into the painting, fully enhance the three-dimensional sense of the painting, for the creator's thoughts and feelings to provide sustenance. This article takes the screen in the period of five dynasties to the Song Dynasty as an example, analyzes the location of screen placement and the emotional culture contained in the screen, so as to strengthen the overall understanding of screen. The first chapter of this paper mainly describes the author through a large number of reference materials and in Changsha Tan Guobin Museum of Contemporary Art to "Song painting complete works" serious reading, summed up this period involving the number of screen paintings; And according to the screen shape of different screen works in the classification of the screen, the representative of the outstanding works are analyzed. The second chapter mainly analyzes the functions and characteristics of screen in painting works, first of all, it expounds the function of screen itself-dividing space, strict etiquette system; boundary but not boundary, separated and continuous; containing geomantic water, music is sentimental; aesthetic carrier, bedroom beautification; False and real dislocation, internal and external extension. Then, it expounds the characteristics of screen in the screen-guiding aesthetic perspective, superimposing aesthetic level; creating artistic conception of the picture to form a specific atmosphere; painting in the painting, not the loom; melting the elegance of the heart, point the mound in the chest; The content of this series of key explanation, analysis. The third chapter sums up the main content of screen in the painting and its function in the picture through the analysis of screen in the works. Finally, the fourth chapter of our modern painting about the use of screen and should pay attention to problems. Through the analysis of screen and screen in the picture, the paper discusses and analyzes the screen art from the angle of humanity and spirit. In the course of the research, the author draws lessons from the advanced ideas put forward by the predecessors and tries to find a more efficient and scientific understanding of screen art. At the same time, I also use the author's aesthetic, visual knowledge of the screen for historical interpretation.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J209.2

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本文編號：1917921