本文選題：妥木斯 + 油畫創(chuàng)作　； 參考：《內(nèi)蒙古師范大學(xué)》2013年碩士論文

【摘要】：妥木斯先生是我國(guó)當(dāng)代赫赫有名的少數(shù)民族油畫家、美術(shù)教育家,他的油畫寫生在選材、色彩、造型及肌理效果等方面對(duì)內(nèi)蒙古油畫創(chuàng)作起著舉足輕重的作用,對(duì)內(nèi)蒙古畫家的油畫創(chuàng)作色彩觀有深遠(yuǎn)的影響。通過(guò)妥木斯寫生對(duì)內(nèi)蒙古油畫創(chuàng)作色彩觀影響的研究,思考創(chuàng)作內(nèi)蒙古草原題材油畫的精神表達(dá)。 本文以妥木斯寫生對(duì)內(nèi)蒙古油畫創(chuàng)作色彩觀的影響為研究對(duì)象,旨在對(duì)其進(jìn)行全面系統(tǒng)的論述。首先,論文以寫生的重要性作為基礎(chǔ),進(jìn)而來(lái)說(shuō)妥木斯油畫寫生的風(fēng)格和追求,在此基礎(chǔ)上進(jìn)行論述他對(duì)內(nèi)蒙古油畫創(chuàng)作色彩的影響,他的藝術(shù)風(fēng)格影響了內(nèi)蒙古幾代年輕畫家,妥木斯在題材、造型、色彩等方面都有自己獨(dú)特的藝術(shù)風(fēng)格。作為一個(gè)民族精神的表達(dá)者,他有優(yōu)秀的人格個(gè)性和藝術(shù)個(gè)性。妥木斯通過(guò)油畫寫生來(lái)抒發(fā)對(duì)草原的熱愛(ài)和表現(xiàn)草原的文化,今日“草原畫派”所追求的真正的草原文化精神是內(nèi)蒙古美術(shù)家作品中的精神依托,而這種精神的傳承對(duì)于藝術(shù)創(chuàng)作來(lái)說(shuō)是極其重要的,油畫寫生對(duì)創(chuàng)作草原題材油畫色彩觀起著相當(dāng)重要的作用。妥木斯善于從民族藝術(shù)傳統(tǒng)中汲取精華,從平常的生活中發(fā)現(xiàn)美,追求畫面的意境化和抒情性,在寫生中(油畫寫生包括風(fēng)景寫生、人物寫生、靜物寫生)表現(xiàn)藝術(shù)美,他的寫生深深影響了內(nèi)蒙古幾代油畫家,比如胡沙金、朝克巴圖、趙文華、張立平、葉立夫等人,還有不是從師院出來(lái)的在中央美術(shù)學(xué)院任教的青年畫家朝戈、楊飛云等人。 內(nèi)蒙古題材的油畫畫作,是一種相當(dāng)開(kāi)放的、由畫家自己定義其創(chuàng)作規(guī)則的一種藝術(shù)作品。我之所以這樣說(shuō),是基于妥木斯的寫生作品的感悟而來(lái)的。妥木斯的寫生作品,給人一種相當(dāng)開(kāi)闊的感覺(jué),這種感覺(jué)很容易在給其他的畫家在思路上產(chǎn)生影響,他獨(dú)特的色彩表達(dá)給予草原畫派極大的靈感。本文就僅對(duì)妥木斯內(nèi)蒙古草原寫生對(duì)內(nèi)蒙古油畫創(chuàng)作的影響這一點(diǎn)展開(kāi)分析和論證,望能對(duì)讀者有一點(diǎn)啟發(fā)。
[Abstract]:Mr. Dumus is a famous minority oil painter and art educator in contemporary China. His painting plays an important role in the selection, color, modeling and texture effect of oil painting in Inner Mongolia. It has a profound influence on the painting color view of Inner Mongolia painters. Through the study of the influence of Domus painting on the color view of Inner Mongolia oil painting, the spiritual expression of inner Mongolia steppe oil painting is considered. This paper focuses on the influence of Domus painting on the color view of oil painting in Inner Mongolia, aiming to make a comprehensive and systematic discussion on it. First of all, on the basis of the importance of sketching, and then on the basis of the style and pursuit of Domus painting, this paper discusses his influence on the color of oil painting in Inner Mongolia. His artistic style influenced several generations of young painters in Inner Mongolia. As an expression of national spirit, he has excellent personality and artistic personality. Doemus expresses his love of the grassland and the culture of the prairie through oil painting. The true spirit of grassland culture pursued by the "grassland painting School" today is the spiritual backing of Inner Mongolia artists' works. The inheritance of this spirit is extremely important for artistic creation, oil painting plays a very important role in the creation of grassland subject painting color view. Dumus is good at drawing the essence from the national art tradition, discovering beauty from the ordinary life, pursuing the artistic conception and lyricism of the picture, and expressing the artistic beauty in the painting (oil painting includes landscape painting, figure painting, still life painting). His sketches deeply influenced several generations of oil painters in Inner Mongolia, such as Hu Shajin, Chao Ke Gbatu, Zhao Wenhua, Zhang Liping, Ye Lifu and others, as well as the young painters Chaoge and Yang Feiyun, who were not from the teacher's College and taught at the Central Academy of Fine Arts. The painting of Inner Mongolia subject matter, is a kind of art work that is quite open, the painter defines his own creation rule. The reason why I say this is based on the feeling of Dumus' sketching works. Doemus' sketching works give people a rather open feeling, which can easily influence the thinking of other painters. His unique color expression gives a great inspiration to the grassland painting school. This paper analyzes and demonstrates the influence of the painting of Inner Mongolia grassland on the painting creation of Inner Mongolia, hoping to enlighten the readers.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 洪拓青;;風(fēng)景油畫中色彩的情感表達(dá)[J];安徽文學(xué)(下半月);2008年11期

2 王曉培;;真情實(shí)感與意境產(chǎn)生對(duì)油畫風(fēng)景寫生的重要性[J];安徽文學(xué)(下半月);2011年05期

3 王耀偉;中國(guó)油畫創(chuàng)作中的民俗形象與文化意義[J];福建師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2002年02期

4 徐文光;;油畫風(fēng)景寫生中的情感表達(dá)[J];鹽城師范學(xué)院學(xué)報(bào)(人文社會(huì)科學(xué)版);2010年01期

，

本文編號(hào)：1916538