本文選題：木刻版畫 + 平面設計�。� 參考：《西南民族大學》2014年碩士論文

【摘要】：如今，似乎可以用“窮途末日”這四個字來描述中國版畫的發(fā)展現(xiàn)狀。這樣的論斷可能還為時尚早或有些“過分”。但我們不得不正視這樣一個問題，就是版畫的創(chuàng)作隊伍，尤其是活躍在基層的版畫創(chuàng)作隊伍正逐漸消失。版畫市場也正逐漸呈現(xiàn)萎縮之勢。版畫已經(jīng)成為大眾口中的“冷門”藝術。所以，如何能夠使版畫找回昔日的光輝，，如何能夠讓大眾重新審視它，認可它，接納它，并熱愛它，是版畫藝術家以及我們版畫專業(yè)的學生亦或版畫愛好者應該深刻思考的問題，更是我們的職責所在。 本文通過剖析木刻版畫“被使用”的問題，透過版畫各個主要歷史時期的發(fā)展歷程以及相應的功能性和藝術性的運用與分析。思考木刻版畫在當今環(huán)境下的發(fā)展現(xiàn)狀。并對宣揚和傳承我國木刻版畫的悠久歷史做出展望。提出如何使版畫回歸本土，回歸功能性。透過木刻版畫的實用性層面，將木刻版畫的藝術語言與現(xiàn)代平面設計進行相互融合，使平面設計通過木刻版畫元素和思維的介入，增添新的活力和表現(xiàn)形式。更重要的是，木刻版畫藝術借助平面設計這一實用藝術媒介，而更能直接和深刻的走入全民大眾的視野。成為大眾生活的藝術。二者的有機結合，促使了平面設計領域元素的多樣化。同時，帶給木刻版畫藝術新的發(fā)展契機。進而能夠使?jié)u漸落寞的版畫藝術重新走入輝煌的藝術舞臺。
[Abstract]:Today, it'seems possible to describe the development of Chinese prints with the word "the end of the poor". Such a conclusion may be premature or somewhat "excessive". However, we have to face up to the problem that the creative team of prints, especially those active at the grassroots level, are gradually disappearing. Print market is also gradually showing a shrinking trend. Printmaking has become a popular art. So, how can we get print back to its former glory, how can we get the public to re-examine it, recognize it, accept it, and love it? Printmaking artists and our students or printmaking enthusiasts should think deeply, and it is our duty to do so. By analyzing the problem of "being used" in woodcut printmaking, this paper analyzes the development of woodcut in each main historical period and the application and analysis of its function and artistry. Consider the development of woodcut prints in today's environment. And preaches and inherits our country woodcut engraving the long history to make the prospect. Put forward how to make printmaking return to native land, return to function. Through the practical level of woodcut printmaking, the art language of woodcut engraving and modern graphic design are combined together, so that graphic design adds new vigor and expression form through the intervention of woodcut elements and thinking. More importantly, woodcut art, with the help of graphic design as a practical art medium, can directly and profoundly enter the field of vision of the whole people. Become the art of mass life. The organic combination of the two promotes the diversification of elements in graphic design field. At the same time, it brings a new opportunity for the development of woodcut printmaking art. Then can make gradually lonely print art into the brilliant art stage.
【學位授予單位】：西南民族大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J217

【參考文獻】

相關期刊論文 前1條

1 齊鳳閣;論版畫的當代性[J];文藝研究;1999年06期

本文編號：1916416