本文選題：當(dāng)代精神 + 工筆畫　； 參考：《中央美術(shù)學(xué)院》2013年碩士論文

【摘要】：在當(dāng)下新的時代特征和繪畫視語言的表現(xiàn)中,圖像視覺沖擊作用不容忽視,傳統(tǒng)中國工筆畫的呈現(xiàn)形式在各種繪畫圖像的傳播中視覺沖擊力較弱。水色石色的三礬九染的傳統(tǒng)單一的技法形式已嚴(yán)重制約了當(dāng)代工筆畫的發(fā)展。受西方繪畫的影響,中國工筆畫家在傳統(tǒng)與當(dāng)下,東方經(jīng)驗(yàn)與西方觀念的之間企圖尋找新的契合點(diǎn)。西方多種繪畫觀念、技法材料的涌現(xiàn)為傳統(tǒng)工筆畫的發(fā)展創(chuàng)新提出了新的思考,工筆畫首先在繪畫觀念上突破傳統(tǒng),將個人當(dāng)下的生活體驗(yàn)與感觸,畫家個人生存狀態(tài)訴諸于畫面,表現(xiàn)內(nèi)容有了很大的變化。任何一件藝術(shù)作品都無法脫離材料而單獨(dú)呈現(xiàn),作品材質(zhì)的差異首先成就了藝術(shù)作品的差異。當(dāng)代工筆畫在傳統(tǒng)材料中融入了多種繪畫媒介,進(jìn)行了諸多新技法的實(shí)驗(yàn),新的繪畫表現(xiàn)形式層出不窮,工筆畫中人工礦物色,金屬材料被廣泛運(yùn)用。繪畫內(nèi)容和材料的豐富,使傳統(tǒng)色彩不能滿足當(dāng)代中國繪畫的要求,西方繪畫基礎(chǔ)訓(xùn)練的色彩觀察方式和繪畫色彩系統(tǒng)成為當(dāng)代中國畫家的潛在修養(yǎng),繪畫用色有很大的突破,西方印象派繪畫的色彩體系、裝飾設(shè)計(jì)色彩系統(tǒng)也常用于當(dāng)代工筆繪畫中。觀念、材料、色彩在中國繪畫上的拓展必然帶來當(dāng)代工筆繪畫在繪畫空間、畫面構(gòu)成形式上的大的突破。本文從工筆畫的觀念、材料、色彩、構(gòu)成等方面展開論述,分析例證了當(dāng)代精神語境下的工筆畫。
[Abstract]:In the present new era characteristics and the performance of painting visual language, image visual impact can not be ignored, the traditional Chinese fine brushwork presentation form in the transmission of all kinds of painting image visual impact is relatively weak. The traditional single technical form of water-colored stone-colored three-alum nine-dyed has seriously restricted the development of contemporary fine brushwork. Influenced by western painting, Chinese painters try to find new points of convergence between tradition and present, oriental experience and western ideas. The emergence of a variety of Western painting concepts, techniques and materials put forward new thinking for the development and innovation of traditional meticulous painting. The painter's individual living state appealed to the picture, the performance content had the very big change. No work of art can be presented independently of the material, and the difference in the material of the work is the first achievement of the difference of the work of art. Contemporary fine brushwork in traditional materials into a variety of painting media, carried out many new techniques of experiments, new painting forms emerge in endlessly, meticulous painting artificial mineral color, metal materials are widely used. The richness of painting content and materials makes the traditional color can not meet the requirements of contemporary Chinese painting. The basic training of western painting color observation method and painting color system become the potential cultivation of contemporary Chinese painters, and there is a great breakthrough in the use of painting color. Western Impressionist painting color system, decorative design color system is also often used in contemporary fine brushwork painting. The development of ideas, materials and colors in Chinese painting will inevitably lead to a great breakthrough in the painting space and the form of picture composition of contemporary meticulous brushwork painting. This paper discusses the concept, material, color and composition of fine brushwork, and analyzes and exemplifies the meticulous painting in the context of contemporary spirit.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

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本文編號：1914710