本文選題：水彩風(fēng)景 + 樹��； 參考：《湖南師范大學(xué)》2013年碩士論文

【摘要】：作為自然界中最常見的事物,樹不僅與生命的存在息息相關(guān),在藝術(shù)表現(xiàn)領(lǐng)域,它也是占有著十分重要的地位。藝術(shù)家們常常通過對樹的描繪,或是表達(dá)自己對大自然的熱愛之情,或是抒發(fā)對故土的思念之感,從繪畫作品欣賞者的角度來看,繪畫作品中對樹的表現(xiàn)也能夠使人們得到了美的享受和熏陶,提高人們的審美情趣,對于培養(yǎng)人們熱愛自然、崇尚自然的意識觀念也有著積極而廣泛的意義。水彩畫作為十九世紀(jì)末從西洋傳人我國的舶來品,在短短一百年間,有著十分迅速的發(fā)展,在我國深得人民大眾的喜愛,無論是在描繪靜物,人物還是風(fēng)景方面,她都有著自己特有的長處以及其他畫種所無法比擬的獨(dú)特魅力,尤其是在水彩風(fēng)景的表現(xiàn)方面更是如此。樹作為水彩風(fēng)景中常見的表現(xiàn)元素之一,其在水彩風(fēng)景畫中的地位自然也是不言而喻的。但是從實(shí)踐等方面的經(jīng)驗(yàn)來看,對水彩風(fēng)景的學(xué)習(xí)者來說,不經(jīng)過長期認(rèn)真的觀察和努力的練習(xí),要想畫好水彩風(fēng)景中的樹則不是一件簡單容易的事。本文寫作的目的,就是要通過分析當(dāng)前水彩風(fēng)景教學(xué)中畫樹所存在的一些難點(diǎn)、問題和現(xiàn)狀,提出自己的觀點(diǎn)和看法,為解決水彩風(fēng)景教學(xué)中的這類問題提供一些參考。同時(shí)也希望自己的這些思考能夠?yàn)楫?dāng)前的美術(shù)教育工作起到一點(diǎn)促進(jìn)作用。 本文主要從關(guān)鍵詞——樹的表現(xiàn)難度這一問題出發(fā),通過對當(dāng)前水彩風(fēng)景教學(xué)中學(xué)生在樹的表現(xiàn)方面的現(xiàn)狀、樹的各部分表現(xiàn)難度的綜合闡述,結(jié)合傳統(tǒng)國畫中對畫樹的研究,同時(shí)也通過對水彩名家作品的解析以及結(jié)合自己的創(chuàng)作體會,來具體指出畫樹的難點(diǎn)所在,進(jìn)而通過分析畫樹的一些內(nèi)在規(guī)律,使學(xué)習(xí)者能夠?qū)λ曙L(fēng)景中樹的表現(xiàn)有所重視,在實(shí)踐中做到心中有數(shù)。此外,更重要的是本文希望能夠通過對實(shí)踐的總結(jié)和對理論的概括,提出一些想法和解決的方案,為讀者解決這類問題起一些拋磚引玉的作用。最后,希望本文能夠?yàn)楫嫎溥@一在水彩風(fēng)景表現(xiàn)中存在的現(xiàn)實(shí)問題提供一些有價(jià)值的參考和借鑒。
[Abstract]:As the most common thing in nature, the tree is not only closely related to the existence of life, but also occupies a very important position in the field of artistic expression. The artists often express their love for the nature by depicting the trees, or express their feeling of thinking of the earth, from the perspective of the artists of the paintings. Look, the performance of the tree in the painting can also make people enjoy the beauty and edify, improve people's aesthetic taste, to train people to love nature, to advocate the consciousness of nature also has a positive and extensive significance. As the late nineteenth Century, water color painting from the western people of our country, in a short period of one hundred years, there are ten. The rapid development, in our country deeply loved by the people, whether in the portraying of still life, characters or landscape, she has its own unique strengths and the unique charm that other paintings can not compare, especially in the performance of watercolor scenery. The status of watercolor landscape painting is natural and self-evident. But from the experience of practice and other aspects, it is not a simple and easy task to draw a good tree in watercolor scenery without long and serious observation and hard work. The purpose of this writing is to analyze the current water. Some difficulties, problems and present situation of painting trees in the teaching of color scenery are put forward and their views are put forward to provide some reference for solving these problems in the teaching of watercolor landscape, and also hope that their thinking can play a role in promoting the current art education.
This article is mainly from the key words - the problem of the performance of the tree, through the present situation of the performance of the middle school students in the watercolor landscape teaching, the difficulty of the performance of each part of the tree, the study of the painting trees in the traditional Chinese painting, and the analysis of the works of the famous watercolors and the combination of their own creation. It will point out the difficulties of drawing trees, and then analyze the inherent laws of the tree drawing, so that the learners can pay more attention to the performance of the tree in the watercolor landscape, and make a good idea in practice. In addition, it is more important that this article hope that some ideas and Solutions can be put forward through the summary of practice and the generalization of the theory. In the end, I hope this paper can provide some valuable reference and reference for the realistic problems in the performance of watercolor landscape.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J215

【共引文獻(xiàn)】

相關(guān)期刊論文 前1條

1 阿榮;;試論風(fēng)景畫教學(xué)中自然規(guī)律與藝術(shù)表現(xiàn)的統(tǒng)一性[J];大眾文藝;2014年20期

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本文編號：1914630