本文選題：竹畫 + 文人　； 參考：《南京師范大學(xué)》2013年碩士論文

【摘要】：竹作為禾本科的主要植物種,在中國古代的詩詞,文學(xué)作品,畫作中時(shí)常都會(huì)提到它。竹子其實(shí)是自然界中一種極為平常的植物,生活中隨處可見,可是從古到今的人們卻賦予了了它眾多的美譽(yù),栽竹,養(yǎng)竹,詠竹。這種情況的出現(xiàn)是什么原因呢? 竹子因?yàn)槠渲逼鸸?jié)氣的外在形貌被各代畫者賦予了清高有氣節(jié)的贊譽(yù),和梅、蘭、菊一起被合稱為“四君子”。很多文人士大夫更是以竹為對象,書寫胸中意氣,寄托情思,文人寄畫,形成“文人畫”之流。而且被一輩又一輩的人仿習(xí)發(fā)展,使得花鳥畫中竹畫也有了自己獨(dú)立的一片天,成為了中國繪畫中一道獨(dú)特的風(fēng)景線。 本篇論文,我將從竹在歷代的位置描述入手,借用先人的竹品論,論述竹與文人的關(guān)系及所蘊(yùn)涵的內(nèi)涵思想,再講述竹畫的源起及發(fā)展?fàn)顩r,并歸納其風(fēng)格流派的演變。論文將分為三個(gè)部分論述：第一部分,我先論述竹與文人的關(guān)系；第二部分,以時(shí)間先后順序來論述竹畫的起源發(fā)展歷史；第三部分,從風(fēng)格上來論述竹畫的流派演變過程,并就其中折射出來的畫家思想及時(shí)代觀念進(jìn)行評價(jià),這個(gè)部分也是本篇論文的主要部分。梳理一下中國歷史上各個(gè)時(shí)期的竹畫狀況,并總結(jié)其規(guī)律。了解竹在中國畫中的表現(xiàn)形式及思想內(nèi)涵,能幫助我們更好的發(fā)揮竹在中國畫創(chuàng)作中的作用,先眼高,再手高,從而提高自己的總體認(rèn)知水平。
[Abstract]:Bamboo, the main plant of Gramineae, is often mentioned in ancient Chinese poetry, literature and paintings. Bamboo is in fact a very ordinary plant in nature, life can be seen everywhere, but from ancient to modern people have given it a lot of good reputation, planting bamboo, raising bamboo, singing bamboo. What is the reason for this? Bamboo is called "four gentlemen" together with plum, orchid and chrysanthemum because of its external appearance of rising solar terms. Many literati and officials take bamboo as the object, write in the bosom spirit, trust the feeling, the literati send the painting, form the stream of "literati painting". And by generation after generation of people imitating the development, so that flowers and birds in the bamboo painting also has its own independent a day, has become a unique landscape in Chinese painting. In this paper, I will begin with the position description of bamboo in the past dynasties, borrow the bamboo product theory of the forefathers, expound the relationship between bamboo and literati and the connotation thought, then describe the origin and development of bamboo painting, and sum up the evolution of its style and school. The thesis will be divided into three parts: the first part, I first discuss the relationship between bamboo and literati; the second part, in order of time to discuss the origin and development of bamboo painting history; the third part, from the style of the school of bamboo painting evolution process, This part is also the main part of this paper. Sort out the situation of bamboo paintings in each period of Chinese history, and sum up their laws. Understanding the form of expression and ideological connotation of bamboo in Chinese painting can help us better play the role of bamboo in the creation of Chinese painting, first eye high, then high hand, so as to improve our overall cognitive level.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

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2 陳艷;;淺析《早春圖》[J];福建教育學(xué)院學(xué)報(bào);2009年06期

3 唐s，

本文編號(hào)：1914118