本文選題：何多苓 + 女性��； 參考：《海南師范大學》2013年碩士論文

【摘要】：何多苓以四川大涼山的彝族女性為題材，創(chuàng)作出了一批帶著“蒼涼”等眾多意味的作品，得到了廣泛的認可。80年代末到90年代中期何多苓游走于美國，之后身處在美國的何多苓，接觸到了大量的中國古代文人畫，并重新認識到了中國傳統(tǒng)藝術(shù)的價值和魅力。從此他開始不斷的轉(zhuǎn)變自身的繪畫風格，將中國古代文人畫中的中國元素結(jié)合到了自己的女性油畫創(chuàng)作之中，形成了一種獨特的個人繪畫風格，他在題材、筆法、色彩等眾多元素上的創(chuàng)新為中國女性油畫創(chuàng)作的發(fā)展做出了巨大的貢獻。 本文共分為五章，第一章主要通過西方藝術(shù)和國內(nèi)環(huán)境對中國女性油畫創(chuàng)作的影響，以及國內(nèi)女性油畫創(chuàng)作的發(fā)展現(xiàn)狀來了解何多苓女性油畫創(chuàng)作的時代背景。第二章對何多苓的女性油畫創(chuàng)作進行了一個整體性的分析，通過何多苓創(chuàng)作主題的變換來分析出他在不同的創(chuàng)作時期所表現(xiàn)出的不同的思想主旨，以及他所獨有的情感表達方式和視角。第三章通過何多苓的作品與中國同類題材不同畫家的對比，分析出何多苓的創(chuàng)作中所具有的不同的視角以及他筆下女性所具有的獨特的狀態(tài)。第四章主要是結(jié)合何多苓的作品來分析他的筆法與色彩，，解析出他對中國古代文人畫中的用墨與用筆的繼承與發(fā)揚以及與美國表現(xiàn)主義繪畫之間的關聯(lián)。第五章則是通過何多苓女性油畫創(chuàng)作中表達的思想主題與女性主義繪畫所表達出的思想主題之間的對比，來分析出何多苓的女性油畫創(chuàng)作與女性主義繪畫不同的社會影響與現(xiàn)實意義，以及他將女性油畫創(chuàng)作單色化和表現(xiàn)題材的轉(zhuǎn)移等眾多創(chuàng)新之處在中國女性油畫創(chuàng)作中的意義。
[Abstract]:He Duoling took Yi women in Daliangshan, Sichuan Province as the subject matter, and created a number of works with a lot of meanings such as "desolation," which were widely recognized by he Do-ling to travel around the United States from the end of the 1980s to the middle of the 1990s. Later, he Do-ling, who lived in the United States, came into contact with a large number of ancient Chinese literati paintings and rerealized the value and charm of Chinese traditional art. From then on, he began to constantly change his painting style, combining the Chinese elements in ancient Chinese literati paintings into his own female oil paintings, forming a unique personal painting style. The innovation of many elements such as color has made great contribution to the development of Chinese female oil painting. This paper is divided into five chapters. The first chapter mainly through the influence of western art and domestic environment on Chinese female oil painting creation, as well as the development of domestic female oil painting creation to understand the background of the era of female oil painting creation. In the second chapter, the author makes a holistic analysis of he Do-ling 's female oil painting creation, and through the change of the theme of his creation, he analyzes the different ideological purport he has shown in different creative periods. And his unique emotional expression and perspective. The third chapter analyzes the different angles of view and the unique state of the female in his works through the comparison between his works and the Chinese artists of the same subject matter. The fourth chapter mainly analyzes his style and color in combination with his works, and analyzes his inheritance and development of the use of ink and pen in ancient Chinese literati paintings, as well as his relationship with American expressionist painting. The fifth chapter is through the comparison between the ideological theme expressed in the female oil painting by he Douling and the ideological theme expressed in the feminist painting. To analyze the social impact and practical significance of his female oil painting creation and feminist painting, as well as the significance of his many innovations in Chinese female oil painting creation, such as monochromatic creation of female oil painting and the transfer of subject matter.
【學位授予單位】：海南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213

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本文編號：1911846