宋代與當(dāng)代工筆花鳥畫形式語言比較研究
發(fā)布時間:2018-05-19 21:23
本文選題:宋代 + 當(dāng)代。 參考:《河北大學(xué)》2017年碩士論文
【摘要】:工筆花鳥畫的發(fā)展是伴隨著人類社會的發(fā)展而進(jìn)行的,在不同的社會文化背景下,其所呈現(xiàn)出的風(fēng)格面貌各不相同,滲透著各自時代物質(zhì)領(lǐng)域和精神領(lǐng)域中的藝術(shù)需求和發(fā)展水平。發(fā)展到當(dāng)代,在這樣一個嶄新的時空背景下,關(guān)于工筆花鳥畫人們提出了適應(yīng)本時代發(fā)展趨勢的一些新要求,而創(chuàng)作者要想完成這些要求就得進(jìn)行創(chuàng)新,就必須關(guān)注與作品創(chuàng)新密切相關(guān)的形式語言方面。因此,該文以宋代和當(dāng)代工筆花鳥畫的形式語言為研究對象,對它們在構(gòu)圖、造型、色彩、意境四方面所存在的差異性進(jìn)行分析。該文的最終完成主要是通過搜集大量相關(guān)文獻(xiàn)、圖像,通過比較分析的方法,對其進(jìn)行深入具體地研究!端未c當(dāng)代工筆花鳥畫形式語言比較研究》有利于當(dāng)代工筆花鳥畫創(chuàng)作主體更好的研習(xí)傳統(tǒng),把握實踐,突破革新,形成具有當(dāng)今時代特色的工筆花鳥畫新面貌,進(jìn)而更好的推動工筆花鳥畫形式語言在當(dāng)代的新發(fā)展。該文的研究能夠體現(xiàn)出,當(dāng)代工筆花鳥畫形式語言在宋代及傳統(tǒng)的基礎(chǔ)上所作出的突破和革新,呈現(xiàn)出了一定的豐富性和多變性,彰顯了當(dāng)今時代的精神與風(fēng)貌。
[Abstract]:The development of fine brushwork flower-and-bird painting is carried out with the development of human society. Under different social and cultural background, the styles and features of meticulous flower-and-bird paintings are different. It permeates the artistic demand and development level in the material and spiritual fields of their respective times. To the present age, in such a new time and space background, people have put forward some new requirements to adapt to the development trend of the times, and the creators must innovate to fulfill these requirements. We must pay attention to the formal language which is closely related to the creation of works. Therefore, this paper takes the formal language of the fine brushwork and bird painting in Song Dynasty as the research object, and analyzes their differences in composition, modeling, color and artistic conception. The final completion of this paper is mainly through collecting a large number of relevant documents, images, through the method of comparative analysis. The comparative study of the formal language of the flower-and-bird painting between the Song Dynasty and the contemporary meticulous brushwork is conducive to better studying tradition, grasping practice and breaking through the innovation of the creative subject of the contemporary meticulous brushwork flower-and-bird painting. To form a new style of meticulous flower-and-bird painting with contemporary characteristics, and further better promote the new development of the formal language of meticulous flower-and-bird painting in the contemporary era. The research in this paper can show that the breakthrough and innovation made on the basis of the Song Dynasty and the tradition of the contemporary flower-and-bird painting language shows a certain richness and variability, and highlights the spirit and style of the present era.
【學(xué)位授予單位】:河北大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J212
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