本文選題：油畫人物 + 主體情感�。� 參考：《西北師范大學(xué)》2014年碩士論文

【摘要】：情感是人類內(nèi)心深處最為本真的存在，歷史上有多少藝術(shù)家終其一生都在尋求情感的真諦。在美術(shù)創(chuàng)作中情感自始至終都起著最為重要的作用，而表現(xiàn)情感則更是美術(shù)創(chuàng)作永恒的主題。然而在當(dāng)今快節(jié)奏的生活和高度市場化的影響下，一些美術(shù)創(chuàng)作者正在或者說已經(jīng)丟失了藝術(shù)所具有的最本真的東西。而這種本真的缺失對于藝術(shù)創(chuàng)作來說是致命的，其直接后果就是使作品開始變得膚淺而失去意義。 縱觀中外美術(shù)的發(fā)展史，，那些能在其中沉淀下來成為美術(shù)史濃墨重彩的作品，必是承載著藝術(shù)家最真摯的情感的作品。鑒于此，我們應(yīng)該更加重視人類的情感。情感之美在于真實(shí)，嬌柔造作并非藝術(shù)創(chuàng)作的初衷，所以在美術(shù)作品中發(fā)現(xiàn)并表達(dá)出真摯的感情才是美術(shù)創(chuàng)作的最終目的。美術(shù)創(chuàng)作者首先應(yīng)該要發(fā)現(xiàn)和體驗(yàn)情感之美，只有感受到最真切的情感才能激發(fā)創(chuàng)作者進(jìn)行創(chuàng)作的沖動(dòng)，才能進(jìn)行下一步的構(gòu)思和創(chuàng)作。對于油畫人物而言，情感的體驗(yàn)和表達(dá)有著與其它科類不同的方式。比如繪畫中人物的表情、動(dòng)作及所處的環(huán)境等，都有其特殊的規(guī)律，在構(gòu)思和實(shí)踐的過程中創(chuàng)作主體應(yīng)當(dāng)對此有著敏銳的感知和合理的把握。在油畫人物創(chuàng)作中這將是表達(dá)主體情感的重要因素。 本文試從藝術(shù)創(chuàng)作的主體——藝術(shù)家出發(fā)，從油畫人物創(chuàng)作的角度，從主體情感的來源、選材、立意、色彩的運(yùn)用以及分析大師作品這幾個(gè)方面，結(jié)合自己的畢業(yè)創(chuàng)作來討論在油畫人物創(chuàng)作實(shí)踐中如何更好地表現(xiàn)作者豐富的情感。
[Abstract]:Emotion is the most true existence in the human heart. How many artists in history have been seeking the true meaning of emotion all their lives. Emotion plays the most important role in art creation from beginning to end, and expressing emotion is the eternal theme of art creation. However, under the influence of fast-paced life and highly market-oriented life, some art creators are losing or have lost the most authentic thing that art has. The loss of authenticity is fatal to artistic creation, and its direct consequence is to make the works superficial and meaningless. Throughout the history of the development of Chinese and foreign fine arts, those works which can precipitate and become the most colorful works in the history of art must be the works carrying the most sincere feelings of the artist. In view of this, we should pay more attention to human emotions. The beauty of emotion lies in truthfulness and tenderness is not the original intention of artistic creation, so finding and expressing sincere feelings in art works is the ultimate aim of art creation. Art creators should first of all discover and experience the beauty of emotion. Only when they feel the most genuine emotion can they stimulate the creative impulse and carry out the next step of conception and creation. For oil painting characters, emotional experience and expression have different ways from other families. For example, the expression, action and environment of the characters in painting have their special laws, and the creative subject should have a keen perception and reasonable assurance in the process of conception and practice. This will be an important factor to express the subject's emotion in the creation of oil painting characters. This paper tries to start from the subject of artistic creation-the artist, from the perspective of oil painting characters creation, from the source of subject emotion, selection of materials, ideas, the use of color and analysis of these aspects of master works. This paper discusses how to better express the rich emotion of the author in the practice of oil painting character creation with his graduation creation.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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