發(fā)布時(shí)間：2018-05-18 13:23

  本文選題：名妓畫家 + 名媛畫家�。� 參考：《新疆師范大學(xué)》2013年碩士論文

【摘要】：我們?cè)诜喼袊?guó)古代藝術(shù)史的資料時(shí)，很難在其中發(fā)現(xiàn)女性畫家的身影。在古代，女性的藝術(shù)才能是不被社會(huì)肯定和承認(rèn)的。名媛畫家和名妓畫家分別代表著女性畫家的兩個(gè)群體，本文重在找尋二者的繪畫藝術(shù)特色及其成因，，使女性畫家不再成為繪畫史上的邊緣地帶，彰顯其藝術(shù)才華，對(duì)女性繪畫的主要特征、風(fēng)格成因、文化內(nèi)涵、審美價(jià)值進(jìn)行探索。今下，女性畫家已經(jīng)成為畫壇中的不可忽視的力量，在這個(gè)多元化的時(shí)代，女性畫家和女性藝術(shù)究竟要怎樣發(fā)展，出路在哪？通過(guò)查閱文獻(xiàn)資料，在前人研究的基礎(chǔ)上進(jìn)行探索分析，本文共分為七個(gè)部分：第一部分是開(kāi)篇前言，依次是問(wèn)題的提出、目的和意義、概念的界定、研究現(xiàn)狀、研究對(duì)象、研究方法、創(chuàng)新與不足之處；第二部分是古代女性畫家出現(xiàn)的社會(huì)背景；第三部分是古代女性畫家的學(xué)畫淵源；第四部分是古代女性畫家的身份特點(diǎn)；第五部分是古代女性畫家的藝術(shù)創(chuàng)作動(dòng)機(jī)和題材的類型化傾向；第六部分是古代女性畫家作品的審美價(jià)值和文化內(nèi)涵；第七部分是結(jié)論和展望。
[Abstract]:It is difficult to find female painters in the history of ancient Chinese art. In ancient times, women's artistic talents were not recognized and recognized by society. The two groups of female painters are represented by the famous artists and the famous prostitute painters. This paper focuses on finding their artistic characteristics and their causes, so that the female painters are no longer the marginal areas in the history of painting, showing their artistic talent. This paper explores the main features, style causes, cultural connotation and aesthetic value of female painting. Now, female painters have become a force that can not be ignored in the painting world. In this pluralistic era, how do women painters and women art develop, and where is the way out? This paper is divided into seven parts: the first part is the preface, the first part is the introduction of the problem, the purpose and significance, the definition of the concept, the status quo of the research, the object of study. The second part is the social background of ancient female painters, the third part is the origin of ancient female painters' learning and painting, the fourth part is the identity characteristics of ancient female painters; The fifth part is the artistic motivation of ancient female painters and the typological tendency of subjects; the sixth part is the aesthetic value and cultural connotation of ancient female painters; the seventh part is the conclusion and prospect.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J209.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 陶詠白;走向自覺(jué)的女性繪畫[J];美術(shù)觀察;1997年03期

本文編號(hào)：1905987