本文選題：吳冠中 + 形式美�。� 參考：《山西師范大學》2013年碩士論文

【摘要】：吳冠中先生是二十世紀中國繪畫史上乃至國際藝壇上一個舉足輕重不可替代的代表畫家之一。吳冠中先生不僅是學貫中西繪畫的藝術(shù)大師，同時他的文學巨著也是響譽國內(nèi)外，給后人后人留下了豐碩的繪畫作品和文學巨著，吳冠中先生在很多方面都造詣頗深，主要有油畫、水墨、彩墨、速寫和藝術(shù)理論、文學創(chuàng)作等方面。吳冠中先生最突出的成果就是把中國傳統(tǒng)繪畫的意境語言與西方現(xiàn)代繪畫的表現(xiàn)手法相結(jié)合，利用中國傳統(tǒng)的水墨方式來表現(xiàn)西方繪畫的觀念，同時又利用西方的油畫的表現(xiàn)形式來表現(xiàn)中國繪畫的意蘊，也就是吳冠中先生一生致力于的油畫民族化和中國畫的現(xiàn)代化，他把二者很好的自由的結(jié)合在一起，為中國繪畫事業(yè)的發(fā)展起了重要的作用。吳冠中先生一生不懈的探索追尋東方和西方繪畫的語言，美學觀念不斷地運用在自己的創(chuàng)作實踐中，功夫不負有心人，他的藝術(shù)作品形成了鮮明的藝術(shù)特色，有了他個人的藝術(shù)風格。吳冠中先生創(chuàng)作的真情實感都來源于我們的生活，更以他的江南水鄉(xiāng)為重心，實現(xiàn)了民族和大眾的審美要求。吳冠中先生的繪畫和文學作品都具有很高的文化品格，自從二十世紀八十年代起，他的繪畫創(chuàng)作和藝術(shù)理念就適應(yīng)了社會歷史的發(fā)展，同時也適應(yīng)了廣大人民的需求，使中國繪畫的演變和發(fā)展又上了個新臺階。吳冠中先生不僅在繪畫創(chuàng)作上對中國繪畫的轉(zhuǎn)型發(fā)展提供了重要的參考，同時在繪畫美學上也發(fā)揮了重要的作用，作為既是畫家又是作家的吳冠中先生，從而形成了他獨特的越界式批評方式，用真誠犀利的文字直擊美術(shù)界存在的諸多問題的核心，形成美學思想的顯著特點是解決問題而不是建構(gòu)體系。 吳冠中先生一生創(chuàng)作了大量的繪畫理論文章，這些文章都各自反應(yīng)了他的美學思想，概括總結(jié)主要具體體現(xiàn)在筆墨上，形式上和中西方結(jié)合上三點。不斷地在這三個理論觀點上進行深入分析美學思想和繪畫創(chuàng)作的關(guān)系，從而不斷進行理論反思和繪畫創(chuàng)作，開創(chuàng)中國畫現(xiàn)代化的新局面，本文主要通過對吳冠中先生繪畫主要的美學思想的解讀來揭示和認識吳冠中先生繪畫思想的形式美的重要性。吳冠中先生不僅是中國當代美術(shù)史上重要的畫家之一，同時也是飽受爭議的畫家之一，吳冠中先生成功的將中國傳統(tǒng)繪畫和西方當代藝術(shù)表現(xiàn)手法結(jié)合在一起，他扎根于祖國，一生致力于油畫民族化和中國畫現(xiàn)代畫的探索，推動了中國現(xiàn)代繪畫的創(chuàng)造性發(fā)展，吳冠中先生生平創(chuàng)作了大量的繪畫作品，，同時發(fā)表了《風箏不斷線》《內(nèi)容決定形式》《筆墨當隨時代》《筆墨等于零》等散文。 本文分四章第一章介紹吳冠中先生生平及其藝術(shù)成就。吳冠中先生不僅是偉大的畫家，而且也是美術(shù)教育家和散文家。吳冠中先生親自感受和目睹了西方大師的藝術(shù)精品�；貒蟮膮枪谥邢壬鷮L畫更是很大的熱忱，將中西方繪畫創(chuàng)造性的結(jié)合在一起，取得了很大的成功。作為美術(shù)教育家的吳冠中先生更加注重啟發(fā)式的教學，形式美作為他教學的主要內(nèi)容，他還特別強調(diào)注重本土化。 第二章分析吳冠中先生繪畫中關(guān)于形式美，抽象美，意境美和人體美的美學思想。形式美，主要闡述了吳冠中先生對形式美理解的個人觀點，主要通過對“美與漂亮”“創(chuàng)作與習作”“個人感受與風格”“古代和現(xiàn)代，東風和西方”“意境與無題”“初學者之路”等這幾個方面進行闡述。抽象美主要是形式美的核心，人們對形式美和抽象美的喜愛是出于本能的。意境美是吳冠中先生在創(chuàng)作中最精彩的一部分，主要是從繪畫對象中提取最能打動人心的部分，更加準確地追求繪畫中的意境美。人體美是吳冠中先生認為繪畫練習中最不能缺少的，它與自然美息息相關(guān)，相輔相成。他個人在繪畫中擅長用點線面，黑白灰以及紅黃綠這些元素來抽象的表現(xiàn)物象。 第三章分析吳冠中先生繪畫中的美學觀點。吳冠中先生認為沒有現(xiàn)實生活的繪畫是沒有藝術(shù)價值的，藝術(shù)必須來源于生活。吳冠中先生還認為沒有具體形象的筆墨等于零。 第四章主要闡述了吳冠中先生繪畫中的美學思想給我們創(chuàng)作繪畫中的啟迪。告訴我們藝術(shù)要扎根于現(xiàn)實生活，重視繪畫中的錯覺和感情的表達，強調(diào)繪畫一定要富有創(chuàng)新精神。 本文主要從吳冠中先生的繪畫作品和美學觀點出發(fā)，并結(jié)合他的散文深入進行研究和分析，通過對吳冠中先生繪畫美學思想的一個全面認識來了解他繪畫中的形式美。
[Abstract]:Mr. Wu Guanzhong is one of the most important and irreplaceable representative painters in the history of Chinese painting in twentieth Century, and even international art world. Mr. Wu Guanzhong is not only a master of art in Chinese and Western paintings, but also a great literary masterpiece at home and abroad, leaving rich paintings and great literary works for posterity, and Wu Guanzhong first. In many aspects, he has profound attainments, including oil painting, ink ink, color ink, sketch and art theory, literary creation, and so on. The most outstanding achievement of Mr. Wu Guanzhong is to combine the artistic conception language of Chinese traditional painting with the expression of modern western painting, and use the traditional Chinese ink and ink to show the idea of Western painting. Using the expression form of Western oil painting to show the meaning of Chinese painting, that is, the nationalization of oil painting and the modernization of Chinese painting, which Mr. Wu Guanzhong devoted his life to. He combined the two very good freedoms together and played an important role in the development of Chinese painting. Mr. Wu Guanzhong's unremitting exploration and pursuit of the East in his life. And the language of the western painting, the aesthetic concept is constantly used in his own creative practice. His artistic work has formed a distinctive artistic feature and his own artistic style. The true feeling of Mr. Wu Guanzhong's creation comes from our life, and his center of gravity in the south of the Yangtze River. The aesthetic requirements of the masses. Mr. Wu Guanzhong's paintings and literary works have a high cultural character. Since 1980s, his paintings and artistic ideas have adapted to the development of social history, and also adapted to the needs of the people, making the evolution and development of Chinese painting a new step. Wu Guanzhong He not only provided an important reference for the transformation and development of Chinese painting, but also played an important role in painting aesthetics. As a painter and writer Mr. Wu Guanzhong, he formed his unique way of criticizing the boundary, and struck a lot of problems in the art world with sincere and sharp words. The core characteristic of aesthetics is to solve problems rather than construct systems.
In his life, Mr. Wu Guanzhong created a large number of theoretical articles on painting. All these articles reflect his aesthetic ideas. The summary and summary are mainly embodied in the pen and ink, in the form of combining the three points with the western and the western. On reflection and painting creation and creating a new situation in the modernization of Chinese painting, this article mainly reveals and understands the importance of the formal beauty of Mr. Wu Guanzhong's painting ideas through the interpretation of the main aesthetic ideas of Mr. Wu Guanzhong's paintings. Mr. Wu Guanzhong is not only one of the most important painters in the history of Chinese contemporary art, but also a controversial one. One of the painters, Mr. Wu Guanzhong succeeded in combining Chinese traditional painting with western contemporary art. He took root in the motherland. He devoted his whole life to the exploration of the nationalization of oil painting and the modern Chinese painting, which promoted the creative development of modern Chinese painting. Mr. Wu Guanzhong created a large number of paintings in his life. At the same time, he made a great deal of painting. The "kite line" is more than "the content determines the form >" when the pen and ink should follow the times, the pen and ink equals zero.
This article is divided into the first chapter of four chapters to introduce Mr. Wu Guanzhong's life and his artistic achievements. Mr. Wu Guanzhong is not only a great painter, but also an art educator and essayist. Mr. Wu Guanzhong personally felt and witnessed the fine arts of the Western masters. After returning home, Mr. Wu Guanzhong was more enthusiastic about painting and created Chinese and Western paintings. The combination of sex has made great success. As an educator of art, Mr. Wu Guanzhong pays more attention to the teaching of elicitation. Form beauty is the main content of his teaching. He also emphasizes the localization.
The second chapter analyzes the aesthetic ideas of form beauty, abstract beauty, artistic conception and human beauty in Mr. Wu Guanzhong's painting. The form beauty mainly expounds Mr. Wu Guanzhong's personal views on the understanding of form beauty, mainly through "beauty and beauty" "creation and practice" "personal feeling and style" "ancient and modern, Dongfeng and Western" "" " The abstract beauty is mainly the core of the form beauty, the people's love for the form beauty and the abstract beauty is the instinct. The artistic beauty is the most exciting part of Mr. Wu Guanzhong's creation, which is mainly from the drawing object to extract the most inspiring part, more accurate. To pursue the beauty of artistic conception in painting. The beauty of human body is the most important thing that Mr. Wu Guanzhong believes in painting practice. It is closely related to the beauty of nature and complements each other. He is good at the abstract expression of the elements in painting with points and lines, black and white, and red and yellow green.
The third chapter analyzes the aesthetic point of view in Mr. Wu Guanzhong's painting. Mr. Wu Guanzhong thinks that painting without real life is of no artistic value, and art must come from life. Mr. Wu Guanzhong also thinks that no specific image of pen and ink is equal to zero.
The fourth chapter mainly expounds the inspiration of the aesthetic thought in Mr. Wu Guanzhong's painting to our creative painting. It tells us that art should take root in real life, attach importance to the illusion and expression of feelings in painting, and emphasize that painting must be innovative.
This article is based on Mr. Wu Guanzhong's paintings and aesthetic views, and combines his prose with a thorough study and analysis. Through a comprehensive understanding of Mr. Wu Guanzhong's painting aesthetic ideas, the beauty of form in his painting is understood.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212;J213

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本文編號：1904351