本文選題：當(dāng)代工筆人物畫(huà) + 創(chuàng)作��； 參考：《遼寧師范大學(xué)》2014年碩士論文

【摘要】：當(dāng)代中國(guó)畫(huà)創(chuàng)作面臨前所未有的發(fā)展機(jī)遇，尤其是工筆人物畫(huà)，需要?jiǎng)?chuàng)作者以全新的藝術(shù)視角來(lái)對(duì)待這一畫(huà)種，，這對(duì)從事工筆人物畫(huà)創(chuàng)作的當(dāng)代畫(huà)家來(lái)說(shuō)無(wú)疑是個(gè)重大挑戰(zhàn)。那么，在中國(guó)畫(huà)迅速發(fā)展的現(xiàn)階段，工筆人物畫(huà)的創(chuàng)作該如何在本民族特色的基礎(chǔ)上創(chuàng)新？我覺(jué)得應(yīng)對(duì)這樣一些問(wèn)題進(jìn)行深入思考。 對(duì)我們而言，現(xiàn)代工筆人物畫(huà)應(yīng)該在傳統(tǒng)形態(tài)的基礎(chǔ)上，利用“借古開(kāi)今”、“洋為中用”來(lái)進(jìn)行創(chuàng)新，那么在創(chuàng)新過(guò)程中應(yīng)該如何面對(duì)出現(xiàn)的種種問(wèn)題呢？本文則從構(gòu)思、立意、繪制三方面對(duì)我在工筆人物畫(huà)創(chuàng)作中遇到的一些問(wèn)題從理論與實(shí)踐的角度進(jìn)行分析論述。
[Abstract]:The contemporary Chinese painting creation faces unprecedented development opportunity, especially the fine brushwork figure painting, needs the creator to treat this kind of painting with the brand-new artistic angle of view, this is undoubtedly a great challenge to the contemporary painters engaged in the fine brushwork figure painting creation. So, at the present stage of the rapid development of traditional Chinese painting, how should the creation of meticulous figure painting be innovated on the basis of the national characteristics? I think we should think deeply about such problems. For us, modern meticulous figure painting should be based on the traditional form, using "borrowing the past to open the present", "foreign use" to carry out innovation, so how to face the various problems in the process of innovation? This paper analyzes and discusses some problems I encountered in the creation of meticulous figure painting from the angle of theory and practice from the three aspects of conception, conception and drawing.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J212

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本文編號(hào)：1904062