本文選題：意象 + 文化特質(zhì)��； 參考：《南昌大學(xué)》2014年碩士論文

【摘要】：意象源與中國古代傳統(tǒng)美學(xué)，油畫藝術(shù)發(fā)展到今天，意象油畫的產(chǎn)生條件是符合中國文化內(nèi)涵的表現(xiàn)，反映出中國的審美意境追求。在中國悠久的歷史文化背景和哲學(xué)理論中，，意象油畫得到了一種自然發(fā)展體驗(yàn)。意象油畫也不是單一的指某個(gè)流派或風(fēng)格樣式，它是從西方油畫在經(jīng)過中國本土文化浸染，不斷結(jié)合的過程中形成的，它具有很深的中國意味。意象油畫的形式語言，帶有藝術(shù)家個(gè)人心性和修養(yǎng)，主客觀意識(shí)反應(yīng)的，成為帶有藝術(shù)創(chuàng)作者審美品格的表達(dá)。意象油畫，在經(jīng)過中國傳統(tǒng)文化和西方外來文化碰撞交融下，產(chǎn)生了具有中國民族本土特色的表現(xiàn)形式。全文共分五章，第一章闡述意象的起源和文化特質(zhì)，以及意象的美學(xué)價(jià)值。為意象油畫的生成提供理論的依據(jù)。第二章闡述意象油畫的文化背景，對(duì)它在中國的產(chǎn)生和界定，以及它的一些圖式特征和狀況做一些分析發(fā)現(xiàn)，同時(shí)舉例說明意象油畫的一些圖式和狀況。第三章是論文的重點(diǎn)部分，通過對(duì)意象油畫的形式語言研究，解析意象油畫語言的特點(diǎn)和意趣，形式特征。第四章是在第三章的基礎(chǔ)上闡述意象油畫的審美價(jià)值，包括時(shí)代性的審美價(jià)值，和研究意象油畫價(jià)值的魅力。本意就是想通過意象油畫的審美價(jià)值和時(shí)代性反映當(dāng)今藝術(shù)創(chuàng)作中的文化認(rèn)知，和它在中國藝術(shù)之中存在合理性的現(xiàn)象。第五章，藝術(shù)家處于的時(shí)代，意象油畫形式語言對(duì)油畫創(chuàng)作的思考。它與當(dāng)下社會(huì)發(fā)展所帶來的個(gè)人思考與面臨的油畫創(chuàng)作聯(lián)系很大，意象油畫創(chuàng)作在當(dāng)今的社會(huì)語境里的認(rèn)知，可以使我們更加清晰的理解中國文化的精神，同時(shí)可以更好的抒發(fā)自己的情感。意象油畫的發(fā)展也有助于提高中國油畫在世界文化中的地位，也可以讓世界更好的了解中國的傳統(tǒng)文化精神。在意象油畫創(chuàng)作里，我們要繼承和發(fā)揚(yáng)中國傳統(tǒng)繪畫里的意象精神，大膽創(chuàng)造新的面貌與圖式，有助于中國本土油畫對(duì)自身的思考與外面世界的油畫藝術(shù)的融合，讓屬于本民族的油畫語言的立于世界文化之林。對(duì)今后中國油畫乃至世界油畫的創(chuàng)新和發(fā)展都有著啟發(fā)價(jià)值和推動(dòng)作用。意象油畫在國際上也會(huì)得到越來越多的關(guān)注和認(rèn)同，關(guān)于它的探討和實(shí)踐也會(huì)朝著更加多元化和建設(shè)性的方向發(fā)展。
[Abstract]:Image source and Chinese ancient traditional aesthetics, oil painting art developed to today, the condition of image oil painting is in conformity with the expression of Chinese cultural connotation, reflecting the pursuit of Chinese aesthetic conception. In China's long historical and cultural background and philosophical theory, image oil painting has got a kind of natural development experience. Image oil painting is not single. Refers to a school or style style, which is formed in the process of Western oil painting in the process of continuous integration through Chinese local culture. It has a profound Chinese meaning. The form language of image oil painting, with the personal character and accomplishment of the artist, the subjective and objective consciousness, has become the expression of the aesthetic character of the artistic creators. The painting, through the collision and blending of Chinese traditional culture and Western foreign culture, produces a form of expression with the native characteristics of the Chinese nation. The full text is divided into five chapters. The first chapter describes the origin and cultural characteristics of the image, as well as the aesthetic value of the image. It provides a theoretical basis for the generation of image oil painting. The second chapter describes the culture of image oil painting. In the background, it makes some analysis and discovery on the emergence and definition of China, as well as some features and conditions of its schema. At the same time, it illustrates some patterns and conditions of image oil painting. The third chapter is the key part of the paper. Through the study of the form language of the image oil painting, the features and interest, the form features of the oil painting language are analyzed in the fourth chapter. It is on the basis of the third chapter to elaborate the aesthetic value of the image oil painting, including the aesthetic value of the times and the charm of the value of the image oil painting. The original meaning is to reflect the cultural cognition in the contemporary art creation through the aesthetic value and the times of the image oil painting, and the rationality of it in the Chinese art. The fifth chapter, art In the era of the artist, the thinking of oil painting in the form language of the image oil painting. It is closely related to the individual thinking and oil painting created by the present social development. The cognition of the image oil painting in the present social context can make us understand the spirit of Chinese culture more clearly, and can express ourselves better at the same time. The development of image oil painting also helps to improve the position of Chinese oil painting in the world culture and the world to better understand the Chinese traditional cultural spirit. In the creation of image oil painting, we should inherit and carry forward the spirit of image in Chinese traditional painting, create a new appearance and schema, and help the Chinese native oil. The fusion of painting to its own thinking and the painting art of the outside world makes the oil painting language of the nation stand on the world's cultural forest. It has enlightening value and impetus to the innovation and development of the future Chinese oil painting and even the world oil painting. Discussion and practice will also develop towards a more diversified and constructive direction.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 孫景;;關(guān)于“意象油畫”的思考[J];貴陽學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2007年02期

2 尚輝;意象油畫百年[J];美術(shù);2005年06期

本文編號(hào)：1901803