本文選題：樂舞百戲 + 厚葬風俗�。� 參考：《內蒙古師范大學》2015年碩士論文

【摘要】：本文的研究對象是和林格爾東漢壁畫墓中的樂舞百戲圖像,漢代的樂舞百戲受統(tǒng)治者的影響,音樂舞蹈在社會各階層得到普遍重視,儒家思想在統(tǒng)治者的推崇下使?jié)h代的樂舞百戲得到充裕的發(fā)展。宮廷樂舞、生活樂舞隨著社會政治經濟文化的發(fā)展和變化,宮廷樂舞規(guī)模增大,歌女舞姬充斥豪門,官僚、地主、貴族、富商這些封建地主階級在日常生活和宴飲歌舞中自娛,成為一種流行,而和林格爾東漢墓室壁畫中的樂舞百戲正是當時社會的真實寫照。論文總共分四個部分,導論部分對選題意義、研究現狀、研究方法等做了說明,對以往的研究成果做了羅列;第二部分對樂舞百戲圖像分析,通過樂舞百戲的圖片分析了解表演形式、演出場地、表演者的服飾;第三部分為文章的中心環(huán)節(jié),通過了解樂舞百戲圖像看內涵,反映的現實生活、統(tǒng)治者的推崇、祈禳的追求等;最后一部分寫樂舞百戲的藝術成就。樂舞百戲代表著當時社會形態(tài),“樂舞百戲”圖像所反映的現實生活,是來源于生活中的歌舞雜技,民間藝術與現實生活的關系,展現死者生前窮奢極欲,死后追求浪漫美好的極樂世界,同時我們也看到了漢代舞蹈、樂器、百戲藝術的發(fā)展與輝煌。和林格爾東漢墓室壁畫的存在價值不僅僅是給予我們探索藝術起源的線索,也讓我們了解北方流行的樂舞百戲與漢代時中原無殊,文化藝術保持著密切關系,也讓我們看到今天的許多雜技表演技術的延續(xù)與傳承。
[Abstract]:The object of study in this paper is the music and dance hundred drama images in the murals of the Eastern Han Dynasty. The music and dance of the Han Dynasty are influenced by the rulers, and the music and dance are generally attached importance to in all social strata. Confucianism in the rulers of the praise of the Han Dynasty music and dance 100 drama to get abundant development. With the development and change of social, political, economic and cultural development, the scale of palace music and dance increased, and women and dancers were filled with rich people, bureaucrats, landlords, aristocrats, rich merchants, and feudal landlords who entertained themselves in their daily lives and in their banquets, singing and dancing. It has become popular, and the music and dance in the murals of the Eastern Han Dynasty are the true portrayal of the society at that time. The paper is divided into four parts, the introduction to the significance of the topic, research status, research methods and so on, the previous research results are listed; the second part of the music and dance hundred drama image analysis, The third part is the central link of the article, through understanding the connotation of the music and dance hundred drama images, reflecting the real life, the worship of the rulers. The last part is about the artistic achievement of music and dance. The music and dance play represents the social formation of the time. The real life reflected in the picture of "music and dance 100 drama" is derived from the singing and dancing acrobatics in life, the relationship between folk art and real life, and shows the extravagant desire of the deceased before his death. At the same time, we also saw the development and brilliance of dance, musical instruments and the art of hundred operas in the Han Dynasty. The existence value of the murals in the Eastern Han Dynasty not only gives us clues to explore the origin of art, but also makes us understand that the popular music and dance operas in the North have a close relationship with the Central Plains in the Han Dynasty. Let us also see today's many acrobatic performance technology continuation and inheritance.
【學位授予單位】：內蒙古師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J218.6

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本文編號：1899156