本文選題：當(dāng)代寫實(shí)油畫 + 視覺殘缺　； 參考：《東北師范大學(xué)》2013年碩士論文

【摘要】：在當(dāng)代科技社會的迅速發(fā)展以及當(dāng)代哲學(xué)思想流派的不斷演繹下，寫實(shí)油畫家對于目前問題的探究，揭示當(dāng)代社會中的人和事的表現(xiàn)方式也隨之都有了新的改變，，寫實(shí)油畫已經(jīng)不再只是“寫實(shí)”。如果我們墨守常規(guī)，不求改變，寫實(shí)油畫就會很難靠近時代，所以這也是時代的標(biāo)志和發(fā)展的要求。本文根據(jù)當(dāng)代寫實(shí)油畫的表現(xiàn)，提取出具有代表性的畫家及其表現(xiàn)方式來進(jìn)行研究。寫實(shí)油畫在時代的發(fā)展中變化多樣，其中畫面上出現(xiàn)的視覺“殘缺”是在寫實(shí)油畫中很具有代表性。所以要分析它的表現(xiàn)形式以及它的理論依據(jù)，揭示這種“殘缺”的合理性。 我們首先從油畫作品中分析出現(xiàn)在寫實(shí)油畫中出現(xiàn)的“殘缺”。再分析它包含的理論思想和依據(jù)。接下來分析在時代背景下，寫實(shí)繪畫中出現(xiàn)視覺“殘缺”必然性。無論是作品意義出發(fā)，還是從我們的心理認(rèn)同來看都有合理性。最后我們要遵守繪畫規(guī)律的同時，還要敢于創(chuàng)新，選擇正確的價值取向。從中得出寫實(shí)油畫是有生命力的，不同時代有不同的價值。 透過現(xiàn)象看本質(zhì)，殘缺實(shí)際是“殘”而不“缺”。
[Abstract]:With the rapid development of the contemporary science and technology society and the constant deduction of the contemporary philosophical school, the exploration of the current problems by the realistic oil painters has revealed a new change in the expression of people and things in the contemporary society. Realistic oil painting is no longer just realistic. If we stick to the conventional, do not seek to change, realistic painting will be very difficult to approach the times, so this is the symbol of the times and development requirements. According to the performance of contemporary realistic oil painting, this paper extracts representative painters and their ways of expression to study. Realistic oil painting has varied in the development of the times, in which the visual "incomplete" on the screen is very representative in realistic oil painting. Therefore, it is necessary to analyze its manifestation and its theoretical basis to reveal the rationality of this "incomplete". We first analyze the "incomplete" in realistic oil paintings from the oil paintings. Reanalyze the theoretical thought and basis contained in it. Then it analyzes the inevitability of visual imperfection in realistic painting under the background of the times. Whether it is the meaning of the work, or from the psychological identity of our point of view are reasonable. Finally, we must abide by the law of painting, but also dare to innovate, choose the correct value orientation. Draw from the realistic oil painting is vitality, different times have different value. Seeing the essence through the phenomenon, the incomplete is actually "disabled" rather than "deficient".
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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