本文關(guān)鍵詞：走出“男權(quán)話(huà)語(yǔ)”的樊籬——中國(guó)女性繪畫(huà)的嬗變，由筆耕文化傳播整理發(fā)布。

1.

Overthrowing of Male Discourse and Establishment of Female Discourse System;

也論男權(quán)話(huà)語(yǔ)的顛覆和女性話(huà)語(yǔ)系統(tǒng)的建立

2.

An Impression of Writings by Mongolian Writer Haiquan;

蒙古族作家海泉?jiǎng)?chuàng)作印象——男權(quán)話(huà)語(yǔ)

3.

Man s Privileges under the Veil of Love;

愛(ài)情面紗下的男權(quán)話(huà)語(yǔ)——重讀《傷逝》

4.

RESULT OF MAN-RIGHT WORDS:ON THE FEMALE IMAGES IN THE ROMANCE OF THE THREE KINGDOMS;

男權(quán)話(huà)語(yǔ)的產(chǎn)物——《三國(guó)演義》女性形象論

5.

Break Away from the Restriction of the Male Authoritarian Language: The Transmutation of the Female Painting in China;

走出“男權(quán)話(huà)語(yǔ)”的樊籬——中國(guó)女性繪畫(huà)的嬗變

6.

A View of Female Ideals in Male-dominant Discourse of the Qing Dynasty Based on the Novel Jing Hua Yuan;

從《鏡花緣》看清代男權(quán)話(huà)語(yǔ)中的女性理想

7.

Gender and Narration──A Comment on the Masculinist Discourse in the Horse Dealer s Daughter;

性別與敘事——評(píng)《馬商的女兒》中的男權(quán)話(huà)語(yǔ)

8.

A Study of Popular Novels in Early Qing Dynasty;

男權(quán)話(huà)語(yǔ)中男性理想的美好抒寫(xiě)——解讀清初的暢銷(xiāo)小說(shuō)

9.

Heart of Darkness, throughout the text, displays the patriarchal discourse of Marlow, the first person narrator.

《黑暗的心臟》在通篇的敘事中展現(xiàn)出第一敘事人馬羅的男權(quán)話(huà)語(yǔ)。

10.

Feminie Writing in the Man-dominated Discourse--another Explanation about Li Qing zhao s The Sheng Sheng Man;

男權(quán)話(huà)語(yǔ)下的女性書(shū)寫(xiě)——對(duì)李清照《聲聲慢》的另一種解讀

11.

The Plight of Professional Women in the Male-dominated Cultural Discourse Context

男權(quán)文化話(huà)語(yǔ)語(yǔ)境下職業(yè)女性的困境

12.

A Probe into Male Speaking Supremacy in the New development of Female Appellation;

從女性稱(chēng)謂詞的新發(fā)展看男性話(huà)語(yǔ)霸權(quán)

13.

The Fabtricated Words of the Feminism;

虛妄的女權(quán)話(huà)語(yǔ)——試論海男的小說(shuō)《桃花劫》

14.

Discourse power and discourse right are two sides of one fact.

話(huà)語(yǔ)權(quán)包括話(huà)語(yǔ)權(quán)利和話(huà)語(yǔ)權(quán)力兩個(gè)方面。

15.

View on Male Image under the Authority of Female Discourse;

女性話(huà)語(yǔ)霸權(quán)下的男性形象透視——張愛(ài)玲小說(shuō)的另一種論域

16.

The Raising of the Female Discourse in the Male Age--Trying to Discuss Female Role in the Dong Drama;

男權(quán)時(shí)代女性話(huà)語(yǔ)的高揚(yáng)——試論侗族戲劇中的女性角色

17.

The Image of the Adapted Other--Bellow s Man Hegemonic Discourse from the Image of Madeleine;

被改寫(xiě)的他者形象——從馬德琳形象看貝婁的男性霸權(quán)話(huà)語(yǔ)

18.

Inescapable Cage--The Trend of Male Discourse Power Shown in Zweig s Novels;

逃不出的囚籠——從茨威格的小說(shuō)看男性權(quán)力話(huà)語(yǔ)傾向

  本文關(guān)鍵詞：走出“男權(quán)話(huà)語(yǔ)”的樊籬——中國(guó)女性繪畫(huà)的嬗變，由筆耕文化傳播整理發(fā)布。