本文選題：清末民初 + 廣彩瓷器�。� 參考：《首都師范大學(xué)》2014年碩士論文

【摘要】：廣彩瓷器是中西文化藝術(shù)交流的結(jié)晶,自清康熙以來逐步得到發(fā)展,成為我國主要的外銷瓷品種之一,約在乾隆、嘉慶時(shí)期逐漸發(fā)展成熟,形成絢彩華麗、金碧輝煌的風(fēng)格。清末民初時(shí),由于嶺南畫派以及部分廣東地區(qū)文人畫家參與廣彩制作,以及受景德鎮(zhèn)淺絳彩瓷以畫入瓷的影響,一些帶有嶺南繪畫風(fēng)格的瓷畫逐漸興起,為廣彩瓷繪藝術(shù)開辟了一條新的道路。 本文根據(jù)文獻(xiàn)資料及留存實(shí)物,主要針對(duì)清末民初受嶺南繪畫影響的廣彩瓷器做初步梳理,并試從以下幾個(gè)部分對(duì)其進(jìn)行分析和探討：首先,對(duì)清末民初時(shí)期廣彩瓷器及嶺南繪畫的發(fā)展?fàn)顩r進(jìn)行分析,再對(duì)廣彩瓷與嶺南繪畫的聯(lián)系進(jìn)行闡述,即論述清末民初廣東文人畫家參與廣彩瓷生產(chǎn)的狀況。其次,對(duì)廣彩瓷上所繪的嶺南繪畫的基本面貌進(jìn)行分析,并將受嶺南繪畫影響的廣彩瓷分為花鳥、人物、山水三大類,結(jié)合表現(xiàn)內(nèi)容與形式對(duì)其藝術(shù)特征進(jìn)行論述,并將廣彩瓷上的嶺南繪畫與紙絹本的嶺南繪畫相比對(duì),分析兩者的異同,以體現(xiàn)嶺南繪畫對(duì)廣彩瓷的影響。再次,對(duì)廣彩瓷上嶺南繪畫的價(jià)值與其對(duì)當(dāng)時(shí)文化藝術(shù)、產(chǎn)業(yè)經(jīng)濟(jì)及政治方面的影響進(jìn)行分析論述。本文對(duì)清末民初時(shí)期廣彩瓷上的嶺南繪畫進(jìn)行研究,凸顯其藝術(shù)特色,重新審視受嶺南繪畫影響的廣彩瓷在陶瓷史以及繪畫史中的地位,同時(shí)探討其對(duì)廣東地域文化的影響。
[Abstract]:Wide color porcelain is the crystallization of the cultural and artistic exchange between China and the West. It has been developed gradually since Kangxi of the Qing Dynasty and has become one of the main export porcelain varieties in our country. During the Qianlong and Jiaqing periods, the porcelain gradually developed and matured, forming a brilliant style of gorgeous colors and brilliant colors. At the end of the Qing Dynasty and the beginning of the Republic of China, due to the participation of Lingnan painters and some literati painters in Guangdong, as well as the influence of Jingdezhen light crimson colored porcelain painting into porcelain, some porcelain paintings with Lingnan painting style gradually rose. It has opened up a new road for the wide-colored porcelain painting art. According to the literature and material objects retained, this paper mainly deals with the broad color porcelain influenced by Lingnan painting in the late Qing Dynasty and the early Republic of China, and tries to analyze and discuss it from the following parts: first, This paper analyzes the development of wide color porcelain and Lingnan painting in the late Qing Dynasty and the early Republic of China, and then expounds the relationship between the wide color porcelain and the Lingnan painting, that is, the situation of Guangdong literati painters participating in the production of wide colored porcelain in the late Qing Dynasty and the early Republic of China. Secondly, it analyzes the basic features of Lingnan painting, and divides it into three categories: flowers and birds, characters, landscape, and discusses its artistic characteristics in combination with the content and form. In order to reflect the influence of Lingnan painting on the wide colored porcelain, the paper compares the Lingnan painting with the paper seric-based Lingnan painting, and analyzes the similarities and differences between the two. Thirdly, it analyzes the value of Lingnan painting and its influence on culture and art, industry economy and politics. This paper studies the Lingnan painting on the broad colored porcelain in the late Qing Dynasty and the early Republic of China, highlights its artistic characteristics, reexamines the position of the wide colored porcelain influenced by the Lingnan painting in the history of ceramics and painting, and probes into its influence on the regional culture of Guangdong.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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本文編號(hào)：1889194