本文選題：知識分子形象 + 宣傳畫�。� 參考：《中央美術(shù)學(xué)院》2015年碩士論文

【摘要】：本文以1950年代至1980年代的國內(nèi)宣傳畫為基礎(chǔ)材料,一改以往經(jīng)驗中觀看宣傳畫的角度,以畫面中一直以來被忽略的“知識分子形象”為視覺中心,試圖發(fā)現(xiàn)該群體形象在這一時期的圖像中的生存原則與形象秩序。圍繞著“知識分子形象”在宣傳畫中的多種“出場”形式,本文以中共知識分子話語為主要線索,建立起了“知識分子形象”與國家話語、“工農(nóng)兵形象”、知識分子專業(yè)畫家、工農(nóng)兵業(yè)余畫家等事物與角色之間的關(guān)系。通過對圖像的研究得出了較為完整的知識分子在新中國成立之后的命運圖景。在對知識分子形象的定位上,本文并不著重于描述知識分子在圖像中的附屬地位,而是以知識分子本體為關(guān)懷,思考知識分子群體在圖像以及現(xiàn)實中存在的空間與形態(tài),由此喚起人們對知識分子在宣傳畫中的多重形象以及由圖像反映出的知識分子集體命運的關(guān)注。
[Abstract]:This paper, based on the domestic posters from 1950s to 1980s, changes the angle of viewing posters from previous experience and takes the "intellectual image", which has been neglected in the picture, as the visual center. This paper tries to find out the survival principle and image order of the group image in this period. Focusing on the various "appearance" forms of "intellectual image" in posters, this paper takes the Chinese Communist Party's intellectual discourse as the main clue, and establishes the "intellectual image" and the "image of the workers, peasants and soldiers". The relationship between intellectuals, professional painters, workers, peasants and soldiers, amateur painters, and their roles. Through the study of the image, a complete picture of the fate of intellectuals after the founding of New China was obtained. In the positioning of the image of intellectuals, this paper does not focus on describing the subordinate position of intellectuals in the image, but takes intellectual ontology as the concern, thinking about the space and form of intellectual groups in images and in reality. This arouses people's attention to the multiple images of intellectuals in posters and the collective fate of intellectuals reflected by images.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J218.1

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相關(guān)期刊論文 前2條

1 馬克;重視群眾意見改進政治宣傳畫創(chuàng)作[J];美術(shù);1955年07期

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本文編號：1882783