本文選題：普雷斯頓 + 土著文化　； 參考：《南京藝術(shù)學(xué)院》2014年碩士論文

【摘要】：瑪格麗特·普雷斯頓是澳大利亞偉大的女性藝術(shù)家，是澳大利亞藝術(shù)史上最有力的現(xiàn)代主義倡導(dǎo)者。普雷斯頓的藝術(shù)歷程從19世紀(jì)90年代中期直到1963年去世，期間已知的保存下來的油畫不少于450幅，以及幾乎同等數(shù)量的版畫。除此之外，她還在工藝品，如陶器、織物設(shè)計(jì)以及對其說明工作方面，，成就斐然。本文通過普雷斯頓繪畫藝術(shù)與澳大利亞本土原住民文化的傳承關(guān)系來探究她的繪畫語言與藝術(shù)特色，進(jìn)一步思考中國油畫本土化的重要性。 本文分三個(gè)部分對瑪格麗特·普雷斯頓的繪畫藝術(shù)進(jìn)行研究，較詳細(xì)的論述了普雷斯頓繪畫風(fēng)格的形成和藝術(shù)特色，以及她的成功所帶給我們的啟示。第一部分立足澳大利亞現(xiàn)代藝術(shù)的大背景，分析瑪格麗特·普雷斯頓置身其中而又脫穎而出的藝術(shù)歷程，以及她對澳大利亞藝術(shù)史中的現(xiàn)代藝術(shù)所做出的開山貢獻(xiàn)。第二部分研究普雷斯頓繪畫風(fēng)格的形成和藝術(shù)特色。主要從題材內(nèi)容、畫面構(gòu)成、色彩和繪畫的裝飾趣味四個(gè)方面進(jìn)行剖析，著重闡釋普雷斯頓傳承原始藝術(shù)卻又賦予其鮮明的現(xiàn)代性特征的突出貢獻(xiàn)。第三部分通過普雷斯頓吸取民族土著藝術(shù)精華，并加以自己的情感體驗(yàn)所取得的成功，進(jìn)而思考我國油畫在本土化探索方面的重要性，分析其給我們的啟示。
[Abstract]:Margaret Preston is Australia's great female artist and the most powerful modernist in the history of Australian art. Preston's artistic history lasted from the mid-1890s until his death in 1963, during which no fewer than 450 oil paintings were known to have been preserved and almost the same number of prints. In addition, she has made great achievements in handicrafts, such as pottery, fabric design and illustrative work. Based on the relationship between Preston's painting art and Australian native culture, this paper explores her painting language and artistic characteristics, and further considers the importance of localization of Chinese oil painting. This article is divided into three parts to study Margaret Preston's painting art, and discusses in detail the formation and artistic characteristics of Preston's painting style, as well as the inspiration brought to us by her success. The first part, based on the background of Australian modern art, analyzes the artistic process in which Margaret Preston stands out and her contributions to modern art in the history of Australian art. The second part studies the formation and artistic characteristics of Preston's painting style. Mainly from the subject matter content, the picture constitution, the color and the painting decoration interest four aspects carries on the analysis, emphatically explains Preston inherits the primitive art but gives it the distinct modernity characteristic outstanding contribution. The third part through Preston absorb the essence of native art and make their own emotional experience of the success of thinking about the importance of Chinese oil painting in the localization of exploration and analysis of its inspiration to us.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

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