本文選題：平面化 + 具象　； 參考：《上海大學(xué)》2014年碩士論文

【摘要】：本文以“論具象繪畫的平面性”為題,為了說明平面化處理對于畫面關(guān)系的重要作用,以西方繪畫平面化為切入點,闡述了平面化繪畫處理的當(dāng)代性、趣味性,再結(jié)合自己對繪畫的平面化的認(rèn)識,創(chuàng)作了一系列MFA藝術(shù)碩士的畢業(yè)作品。本文一共分為三個部分,第一部分為緒論部分。在豐富多元的大環(huán)境中,給自己一個明確定位是至關(guān)重要的,在崇尚具象繪畫語言,打下扎實基礎(chǔ)的前提下,我選擇從畫面的平面化構(gòu)成入手,研究具象繪畫平面化處理的多樣性手法,深入探索其創(chuàng)新點。第二部分主要為學(xué)習(xí)與借鑒大師們對平面化處理的理論與實踐。通過對幾位大師在色彩的平面性,空間的平面化處理和邊緣線的平面化處理的分析與解讀,深入理解,加以借鑒,嘗試于自己的繪畫創(chuàng)作中。最第三部分是對本文作者的創(chuàng)作主題和空間處理,繪畫題材概述。作者以人物畫為主,通過著重刻畫人物和場景,進行窺探人物的內(nèi)心世界,引導(dǎo)觀者思考這一代年輕人的生存狀態(tài),體驗繪畫色彩的多樣性,人物動態(tài)的趣味性,強調(diào)視覺觀感的力量感,愉悅感。最終研究表明,畫面的平面化處理對繪畫的當(dāng)代性和趣味性有著重要的作用,也為作者的畢業(yè)創(chuàng)作實踐提供了理論上的歸納。
[Abstract]:In order to illustrate the important role of plane processing in the relationship between pictures, this paper, on the topic of "on the planarity of figurative painting", takes the plane of Western painting as the breakthrough point, and expounds the contemporary and interesting nature of the treatment of flat painting. Combined with his understanding of the flatness of painting, he created a series of graduate works of MFA Art Master. This paper is divided into three parts, the first part is the introduction. In a rich and diverse environment, it is essential to clearly position myself. On the premise of advocating the language of figurative painting and laying a solid foundation, I choose to start with the planarization of the picture. This paper studies the diversity of concrete painting planarization, and probes into its innovative points. The second part mainly studies and draws lessons from the master to planarization theory and practice. Through the analysis and interpretation of the planarity of color, the planarization of space and the planarization of edge line, we can deeply understand and draw lessons from them and try to create their own paintings. The third part is the author's creation theme and space processing, painting theme overview. The author focuses on the figure painting, by focusing on depicting the characters and scenes, to explore the inner world of the characters, to guide the viewer to think about the living state of this generation of young people, to experience the variety of painting colors and the interesting nature of the characters' dynamics. Emphasize the sense of power and pleasure of visual perception. The final research shows that the flat processing of the picture plays an important role in the contemporary and interesting of painting, and also provides a theoretical induction for the author's practice of graduation creation.
【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

【共引文獻】

相關(guān)期刊論文 前1條

1 張文惠;;繪畫空間構(gòu)成初探[J];科技創(chuàng)新導(dǎo)報;2009年16期

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本文編號：1857517