本文選題：版畫 + 木版畫��； 參考：《蘇州大學》2013年碩士論文

【摘要】：在悠久的版畫歷史中，刀法一直是木版畫中最為突出的表現(xiàn)形式和顯性的特征。刀法在人類早期文明遺跡中就已出現(xiàn)，中國傳統(tǒng)木版畫以復制印刷為主要目的，刀法追求中國畫線條筆意；西方藝術家借鑒中國雕版印刷術進行不斷發(fā)展演變，自文藝復興開始就使版畫成為一種具有創(chuàng)作價值的獨立藝術形式，一直到表現(xiàn)主義，，刀法一直是木版畫語言中最有特點的形式之一。中國現(xiàn)代木版畫從“新興木刻”開始至今，刀法不斷熟練、豐富，形成了具有中國特色文化特征的獨立語言。 木版畫的刀法與刻刀、版材，以及刀法組織技巧息息相關，按照中國傳統(tǒng)雕版木版畫、木面木版畫、木口木版畫來分，木版畫在不同的版類有不同操刀技巧和刀痕效果。對材料和技法歸納整合研究是深入了解木版畫的必經(jīng)之路。
[Abstract]:In the long history of engraving, knife method has always been the most prominent form of expression and dominant features in woodblock prints. The knife method has already appeared in the ruins of the early human civilization. The main purpose of Chinese traditional woodblock printing is to copy and print, and the knife method pursues the meaning of line and pen of Chinese painting. Western artists use Chinese engraving printing for reference for their continuous development and evolution. Since the beginning of the Renaissance, print has become an independent form of art with creative value, until expressionism, the knife method has always been one of the most characteristic forms in woodcut language. From the beginning of "emerging woodcut", Chinese modern woodcut has been skillful and rich, forming an independent language with Chinese characteristics. The cutting method of wood engraving is closely related to knife, plate, and organization skill of knife. According to Chinese traditional woodcut, woodcut has different skill and effect of knife mark in different edition. The study of materials and techniques is the only way to understand woodcut.
【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J217

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本文編號：1853740