發(fā)布時間：2018-05-06 19:02

  本文選題：寫生 + 古建筑��； 參考：《山西師范大學(xué)》2017年碩士論文

【摘要】：在作品創(chuàng)作之初,許多繪畫題材掠過我的腦海,隨后我查詢了一些有關(guān)國內(nèi)外的繪畫資料,發(fā)現(xiàn)針對創(chuàng)作古建筑群為題材的油畫作品少之又少,說明人們對于這一方面有所忽視。在研究生學(xué)習(xí)期間的第二次下鄉(xiāng)寫生采風(fēng)中偶然接觸到古建筑群,并對這一題材產(chǎn)生了興趣�，F(xiàn)代社會在進步發(fā)展中日新月異,城市的繁華讓人們產(chǎn)生了一種浮躁的缺失感,古建筑群在喧囂的城市中靜靜佇立,每一次近距離的接觸都會讓我的內(nèi)心為之平靜,不由地我想通過油畫來創(chuàng)作來記錄這一東方獨有的建筑形態(tài)。本文是我對自己的畢業(yè)創(chuàng)作心路歷程的總結(jié)與反思,從生活中收集素材并創(chuàng)作,之后通過思考、構(gòu)圖、推敲,直至完成《汾城文廟》這一油畫作品的創(chuàng)作。創(chuàng)作是來源于生活,提取于生活,并高于生活的一種思想情感,它是一個極其復(fù)雜的過程,包括采風(fēng)、構(gòu)思、草圖設(shè)計、油畫小稿和正稿等環(huán)節(jié),是從體驗生活到發(fā)現(xiàn)美,再經(jīng)過個人主觀意識的加工,最后用繪畫技巧傳達(dá)為作品。在這一作品的創(chuàng)作過程中,我反復(fù)對小稿和大稿進行改動,使畫面做到完整統(tǒng)一性并且調(diào)節(jié)畫面的節(jié)奏感。這個過程讓我認(rèn)識到只有不斷地學(xué)習(xí)和借鑒,掌握更多的材料用法和繪畫技巧才能準(zhǔn)確地表現(xiàn)出繪畫者的主觀意識和藝術(shù)思想。
[Abstract]:At the beginning of the creation of the works, a lot of painting themes passed through my mind, and then I inquired about some painting materials at home and abroad, and found that there were very few oil paintings on the theme of creating the ancient architectural complex. This shows that people have ignored this aspect. In the second time during graduate study, he came into contact with the ancient architecture group and became interested in this subject. The modern society is developing with each passing day, the prosperity of the city makes people have a kind of impetuous lack of feeling, the ancient building group stands quietly in the noisy city, every close contact will make my heart calm for it. I would like to record this unique oriental architectural form through oil painting. This paper is a summary and reflection of my own mental process of graduation and creation. I collect materials from my life and create them. After that, I finish the creation of this oil painting by thinking, composing, examining, and completing the painting of Fencheng Wenmiao. Creation is a kind of thought and emotion that comes from life, is extracted from life, and is higher than life. It is an extremely complicated process, which includes drawing wind, conception, sketch design, oil painting sketch and original manuscript. It is from experiencing life to discovering beauty. After the processing of personal subjective consciousness, the final use of painting skills to convey for the work. In the process of the creation of this work, I repeatedly change the short draft and the large manuscript to make the picture complete and unified and adjust the rhythm of the picture. This process makes me realize that only by constantly learning and learning, mastering more material usage and painting techniques can I accurately express the subjective consciousness and artistic thought of the painter.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 水天中;;中國油畫的歷史與現(xiàn)狀[J];中外文化交流;2008年07期

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本文編號：1853497