本文選題：當(dāng)代 + 情感��； 參考：《河北科技大學(xué)》2017年碩士論文

【摘要】：寫意畫在美術(shù)界有非常重要的位置。高水平的寫意畫是情感與感受的結(jié)果,好的作品是在嘗盡生活的酸甜苦辣后產(chǎn)生感情的結(jié)果。20世紀(jì)是一個(gè)動(dòng)蕩的年代,中國畫家的想法也變化了,畫家們開始在作品里看重感受的表達(dá),加進(jìn)去自己的情感,關(guān)注生活中人的生活情況,繪畫的形式也越來越多,為了表達(dá),畫家們借鑒不同地方畫家的表現(xiàn)方法,果敢的借鑒西方的色彩和構(gòu)圖方法,多半畫家畫畫吸收了更多的有益因素,多數(shù)是滲透了感情。本文對現(xiàn)代都市水墨人物畫的情感與情況展開了分析,更好的認(rèn)識(shí)當(dāng)代都市水墨人物畫創(chuàng)作的要點(diǎn),為自己創(chuàng)作提供經(jīng)驗(yàn),自身在感受現(xiàn)代的同時(shí)感受他們的心理,這樣就能在表現(xiàn)都市的時(shí)候更直接。文章的第一部分是引言,包括都市水墨人物畫的發(fā)展前景和研究意義;第二部分是都市水墨人物畫的簡單概述;第三部分是分析都市繪畫的特點(diǎn)及了解畫家的背后情感,了解幾位具有代表性的畫家作品,認(rèn)識(shí)情感在繪畫中的重要性;第四部分寫了當(dāng)代都市水墨人物畫的體會(huì)和啟發(fā)。整篇論文都在圍繞感情如何表達(dá)以及深切到生活,深入理解當(dāng)代人文精神,創(chuàng)作出適應(yīng)當(dāng)下的筆墨語言,創(chuàng)作出更多的都市水墨畫。
[Abstract]:Freehand brushwork plays a very important role in the art world. The high level of freehand brushwork is the result of feelings and feelings, and the good works are the result of feeling after having tasted the joys and sorrows of life. The 20th century is a turbulent time, and the ideas of Chinese painters have also changed. Painters began to attach importance to the expression of feelings in their works, adding their own feelings, paying attention to the living conditions of people in life, and drawing more and more forms of painting. In order to express themselves, painters learn from the expression methods of painters in different places. Bold draw lessons from western color and composition method, most painter paintings absorbed more beneficial factors, most of them permeate feelings. This article has carried on the analysis to the modern urban ink figure painting emotion and the situation, has better understood the contemporary urban ink figure figure painting creation key point, provides the experience for own creation, oneself in feeling the modern time at the same time feels their psychology, In this way, you can be more direct when it comes to the city. The first part of the article is the introduction, including the development prospects and research significance of urban ink figure painting; the second part is a brief overview of urban ink figure painting; the third part is to analyze the characteristics of urban painting and understand the feelings behind the painter, Understand several representative works of painters, understand the importance of emotion in painting; the fourth part of the contemporary urban ink figure painting experience and inspiration. The whole paper focuses on how to express feelings and deeply to life, deeply understand the contemporary humanistic spirit, create the current language of brush and ink, and create more urban ink painting.
【學(xué)位授予單位】：河北科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 盧攀攀;;試論水墨人物畫的當(dāng)代性演變[J];當(dāng)代藝術(shù);2010年04期

2 卞小燕;;都市情境下的水墨思考[J];美與時(shí)代;2006年05期

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本文編號(hào)：1848176